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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
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  • Not Here








Sat 29 September 2018,
4:30 p.m.
Arsenale - Alle Tese Theatre
Edit
Creation
Concert






Not Here

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Biennale de Venise
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The young bassist Florentin Ginot has worked closely with several figures of musical creation such as Georges Aperghis, Rebecca Saunders, and Sebastian Rivas. Not Here is a body to body with a massive and versatile instrument, but also an idea of space and of light, an installation in an architecture of venues via four platforms.

Florentin Ginot conception, bass
Olivier Defrocourt scenography
Marie-Hélène Pinon lighting design
Jacques Bouault lighting
Martin Antiphon sound
Sébastien Naves IRCAM computer music design

REBECCA SAUNDERS FURY
SEBASTIAN RIVAS WE MUST, commissioned by IRCAM-Centre Pompidou, Premiere 2018
LIZA LIM THE TABLE OF KNOWLEDGE
GEORGES APERGHIS
OBSTINATE, French Premiere

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Production HowNow. Coproduction Kölner Philharmonie – Acht Brücken. With the support of Impuls Neue Musik, Franco-German fund for contemporary music. Coorganized by IRCAM-Centre Pompidou, Rendez-Vous Contemporains at the église Saint-Merry. With the support of the Sacem. Sound extract of the ManiFeste-2018 Playlist: Fury II by Rebecca Saunders with Florentin Ginot © Musifabrik (Label).
  • Florentin Ginot  © Marc Ginot
    Florentin Ginot © Marc Ginot
  • Rebecca Saunders  © Astrid Ackermann
    Rebecca Saunders © Astrid Ackermann
  • Sebastian Rivas
    Sebastian Rivas
  • Georges Aperghis  © Astrid Ackermann
    Georges Aperghis © Astrid Ackermann
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