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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Nachtmusik








Sat 15 June 2019,
8:30 p.m.
Centre Pompidou
Grande salle
Downloads

programme_nachtmusik.pdf

Prices

Full : 18 €
Discount Price : 14 €
ManiFeste & Young Cards : 10 €

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Creation
Concert






Nachtmusik

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A concert in homage to Éric Daubresse
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“Because it was him, because it was me.” The musical adventure of Emmanuel Nunes at IRCAM is inherently connected to the presence of Éric Daubresse: his conception of space, of timbre, and of electronics was nourished by this propinquity, extraordinary in its longevity.

The masterpiece Nachtmusik resides in the low registers of an unusual quintet; from a rare and frugal  sound—the matrix only uses 8 notes—the work’s dramatic and hieratic intensity erupts, reinforced by the electronics’ ring modulation. A similar rigor characterizes the world of Pierluigi Billone, attentive to the “stranger who watches us”. His listening applies to the intelligence of the hand, that of the performer and of his own; he tests the instrument he wants to probe. Eric Maestri, inspired here by Marguerite Duras, watches the outside space: the sensation of the wind and expanding elements, a long-desired coincidence between the moments of living and moments of writing.

Matteo Cesari flute
L’Instant Donné
Éric Daubresse, Serge Lemouton, Benoit Meudic IRCAM computer music design

PIERLUIGI BILLONE STAGLIO II E, commissioned by Françoise and Jean-Philippe Billarant, Premiere 2019
ERIC MAESTRI COMME LE VENT, C’EST NU, C’EST DE L’ENCRE Premiere 2019
EMMANUEL NUNES NACHTMUSIK I

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An IRCAM/Les Spectacles vivants-Centre Pompidou, L’Instant Donné coproduction.
  • Éric Daubresse et Emmanuel Nunes  © Jean Radel
    Éric Daubresse et Emmanuel Nunes © Jean Radel
  • L'Instant Donné  © Christophe Beauregard, 2015
    L'Instant Donné © Christophe Beauregard, 2015
  • Matteo Cesari  © Jean Radel
    Matteo Cesari © Jean Radel

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