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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Tablado
    • Musical creation around Outer Space
    • Campo Abierto
    • Musical creation around Dream Work
    • Biotope
    • EROR
    • IDEA
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2021.22
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • Replay: ManiFeste-2022 Concerts
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Music of Choices








Wed 16 June 2021,
8:30 p.m.
Centre Pompidou
Grande salle
Downloads

prg_music_of_choices.pdf

Prices

Full : 18 €
Discount Price : 14 €
ManiFeste & Young Cards : 10 €

Concert broadcast on manifeste.ircam.fr and on IRCAM's Youtube Channel.

Live

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Creation
Concert






Music of Choices

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Participez au spectacle au votant avec vos téléphones. Rendez-vous sur le site much.ircam.fr

Fascinated by theater, improvisation, and technological universes, Alexandros Markeas appeals to decisions, to choices, and to the votes cast by the listeners-spectators of this show. Music of Choices suggests different types of representation; the concert, the semi-improvised performance, the installation, centered on the keyboards played by the composer-performer. Under the guidance of the director Aliénor Dauchez, the questions addressed to the public will become clearer and/or wilder: "Do you prefer empty streets or forests? Ruins or cats? Would you like the musician to change his jacket? "If marketing has accustomed us to the absence of choice under the cover of offers, here autonomy and bifurcation are shifting notions. They circulate between the three entities that make up this "dialogue": a pianist, the machine, and an audience.

Musical Happening and Interactive Games – premieres 2021

Alexandros Markeas conception, composition, interpretation, commissioned by IRCAM-Centre Pompidou
Aliénor Dauchez director, set design
Christoph Knoth web development
Bastian Zimmermann dramaturgy
David Eckelmann lightdesign
Manuel Poletti IRCAM computer-music design
Benjamin Matuszewski (interaction sound music movement team), Jérôme Nika (musical representations team) IRCAM scientific collaboration 

Edit
An IRCAM/Les Spectacles vivants-Centre Pompidou, Compagnie La Cage coproduction | With the support of the Sacem.
  • Alexandros Markeas  None
    Alexandros Markeas
  • Alexandros Markeas  None
    Alexandros Markeas
  • Aliénor Dauchez  None
    Aliénor Dauchez
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