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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Generative AI
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

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  • Music of Choices (solo version)








Fri 20 October 2023,
8 p.m.
Conservatoire à Rayonnement Régional de Grand Besançon Métropole
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Creation
Concert






Music of Choices (solo version)

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Fascinated by theater, improvisation, and technological universes, Alexandros Markeas appeals to decisions, to choices, and to the votes cast by the listeners-spectators of this show. Music of Choices suggests different types of representation; the concert, the semi-improvised performance, the installation, centered on the keyboards played by the composer-performer. Under the guidance of the director Aliénor Dauchez, the questions addressed to the public will become clearer and/or wilder: "Do you prefer empty streets or forests? Ruins or cats? Would you like the musician to change his jacket? "If marketing has accustomed us to the absence of choice under the cover of offers, here autonomy and bifurcation are shifting notions. They circulate between the three entities that make up this "dialogue": a pianist, the machine, and an audience.

Musical Happening and Interactive Games – concert version

Alexandros Markeas conception, composition, interpretation, commissioned by IRCAM-Centre Pompidou
Aliénor Dauchez co-editing of the texts
Manuel Poletti IRCAM electronics
Benjamin Matuszewski (interaction sound music movement team), Jérôme Nika (musical representations team) IRCAM scientific collaboration 
Jérémie Henrot IRCAM sound diffusion

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  • https://les2scenes.fr/spectacle-vivant/music-choices
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