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    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
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Tue 28 March 2023,
3 p.m.- 5 p.m.
Ircam

 

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Innovations
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Meet the Forum

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An afternoon to discover IRCAM's technologi
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The Ircam Forum and Education Department organize an afternoon dedicated to an overview of Ircam's technologies. You will be introduced to new technologies through introductions tailored to beginners, with demonstrations and lectures.

Program

Composing with OpenMusic

with Claudia Jane Scroccaro, computer music designer
Salle Stravinsky
Two 45-minute sessions at 3 and 4 pm

OpenMusic (OM) is a visual programming language for computer music composition created at Ircam, drawing on a long tradition of research in computer composition. OM can be used as a general purpose functional/object/visual programming language. A set of classes and libraries provided make it a very practical environment for music composition. Different representations of a musical process are supported, among which musical notation, midi piano-roll, sound signal and a high-level temporal organization of musical material is proposed through the concept of "maquette".

Gesture and sonification workshop

with Sébastien Naves, computer music designer
Salle Nono
Two 45-minute sessions at 3 and 4 pm, limited seating

"Conventional" music writing leads to the production of associated sound by means of a specific musical gesture on the instrument that produces it. In other words, the writing of a note implies a gesture linked to the instrument.

In the case of computer synthesis (which can be extended to the particular case of the transformation of a sound), by default, the physical instrument does not exist, and no gesture is associated with it at the origin. This is an opportunity to approach an inverted trajectory by starting with the silent gesture (that of a dancer, for example) as a generator of a sound or as an actor of the transformation of a sound.

This workshop introduces the question of the sonification of gesture through an example of Live session (Ableton) ready to use and embedded Riot sensors. If time allows, we will try to propose an initial strategy for the elaboration of the sonification: Gesture - Controls - Sound

  • Analysis of the gesture phenomenon
  • Data collection
  • Sound description of a sound or an associated treatment: time, amplitudes (envelopes), frequencies and spatialization (carrier of a sound gesture in space)
  • Establishment of a mapping of the controls between the sensor and the sound generator/transformer

Discovery of the " ambisonic " diffusion system

with Johannes Régnier, computer music designer
Vigie
Two one-hour sessions at 3pm and 4pm, limited seating

Thanks to an "ambisonic" sound diffusion system, we rediscover how we perceive the world. We realize the richness of the perceptive processes of hearing that make us "feel", "hear", "listen" our environment. In the hands of creators such as composers, this tool becomes an instrument that also draws and virtualizes space. Examples will materialize this technology of sound projection and its immersive character.

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IRCAM Forum Workshops

29 March to 31 March 2023
Ircam
An international meeting for artistic and musical research
Ircam

1, place Igor-Stravinsky
75004 Paris
T. +33 1 44 78 48 43
Opening times

Monday through Friday 9:30am-7pm Closed Saturday and Sunday
Subway access

Hôtel de Ville, Rambuteau, Châtelet, Les Halles
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