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    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
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  • Max Intermediate in English [online]








April 11 through Wed 10 May 2023,
2 p.m.- 5 p.m.
Ircam
Language

English

Level

Intermediate

Prices

1000 €

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Reserve

Transmission
Software Training






Max Intermediate in English [online]

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Improve your knowledge and mastery of Max
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Max is a graphical programming language that lets users process, generate, interact with Midi data in audio and video contents as well as all other types of data, for example from sensors.

Objectives

Upon completion of this course, participants will have acquired the knowledge necessary in advanced programming techniques in Max. They will be able to create complex patches and select the tools (software and hardware) adapted to their project with Max.

Public

Any creative person who wants to work on a project requiring Max: composers, developers, performers, sound technicians, choreographers, sound creators, video artists, live coders, music or art teachers, makers, etc.

Prerequisites

Participants must be able to read, write, and speak English
Participants must be able to attest to sufficient knowledge and skills in Max and its environment or have successfully completed the course Max Initiation
Good understanding of sequencer software (DAW audio-digital workstation) such as Pro Tools, Logic Pro, or another audio editing software program (WaveLab, SoundStation, Adobe Audition, etc.)
Good understanding of the theory of audio signal processing
Mastery of the basic functions of a Macintosh computer (use of a keyboard and mouse, create and manage files and folders, use menus, launch an application)
Basic mathematical concepts will facilitate participants' understanding: integers, rational and decimal numbers, sums, subtractions, multiplications, divisions, absolute value, study of simple functions, and definition of a frequency

Prior to the training, it is suggested that participants complete all the tutorials available in the software.

Educational Resources and Techniques

This professional training class will be taught online.
Technical requirements: Participants should download Max prior to training. If you do not have a software license, a month-long license could be issued to you by IRCAM for the length of the training. For further information, contact us at info-pedagogie (@) ircam.fr
For best results, please use two screens for this class.
Class Format: Class is taught in English. Training alternates between presentations, explanations on theory, studying examples to analyze, and hands-on exercises
Didactic Materials: presentations. A class guide will be given at the beginning of each training session and all complementary files will be given as needed

Supervision and Assessment

A technical session will be held beforehand to ensure all participants have the necessary equipment
Attendance controlled; signature of an attendance sheet required every morning and afternoon
Evaluation of knowledge and skills during individual exercises
A certificate at the end of the program is given to each participant

Training Period and Organization

24 hours of training, 8 half-days from 2:00 p.m to 5:00 p.m: April 11,12, 19, 20 and May 2, 3, 9 & 10, 2023
8 students maximum

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Programme de la formation

Tuesday April 11

Verview and implementation of a generalized development architecture: input, output, mixing ("dry/wet"), stereo and quadraphonic panning. Generation and use of wave tables in buffers (<buffer~>)
Management of audio streams by matrixing (<matrix~>, <matrixctl>...) and integration into development architecture

Wednesday April 12

Multi-channel architecture implementation: introduction of <mc~> objects
Extensive use of data types for collecting parameters and trajectories: <coll>, <zl>, <expr>, <vexpr>, <nodes>, <table>

Wednesday April 19

Generalization of sound processing architecture and its application to synthesis and simple processing: additive synthesis, ring modulation, and amplitude tracking

Thursday April 20

Polyphony and its poly-procedural generalization: use of <poly~> and its abstractions by its integration in the modules of syntheses and treatments carried out

Tuesday May 2

Further study and application of the production of a polyphonic sampler and multi-instance processing

Wednesday May 3

Development of processing in the amplitude/frequency/time domain using the discrete short-time Fourier transform (STFT): use of <pfft~>, its abstractions and specific objects

Tuesday May 9

Further study of processing in the amplitude/frequency/time domain using the discrete short-time Fourier transform (STFT): creation of processing effects by <pfft~>

Wednesday May 10

Low-level development in Max: discovery of the <gen~> library and its development properties: processing, synthesis and synthesis by physical model

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