• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Generative AI
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
    • Softwares
    • Ircam Amplify
    • Innovative art-science-technology processes
    • Forum Vertigo
  • Home
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  • Les Jeux de l'amour et de l'énigme








Tue 27 May 2025,
6 p.m., 8 p.m.,
Wed 28 May 2025,
6 p.m., 8 p.m.,
Thu 29 May 2025,
6 p.m., 8 p.m.
Ircam
studio 5
Prices

Full rate : 18 €
Reduced rate : 14 €
Youth Passes : 8 €

Tuesday May 27, Wednesday May 28 and Thursday May 29, 6pm and 8pm

For ages 13 and up

Spectacle

Length: approximately 50 minutes + discussions

Edit
Creation
Performance






Les Jeux de l'amour et de l'énigme

Edit






Can you fall in love with an avatar? Can you insult Alexa? What should we do when Replika is lonely? Can AI help us cope with bereavement? Who decides my future: me or Parcoursup? These questions, heightened by the use of artificial intelligence, are at the heart of the ‘Games of Love and Enigma’. Using a classroom as a theatre, those present are transformed into a choir that will watch, comment, react, feel and be moved. It's also an opportunity to play with three characters, one of them a machine that responds ‘naturally’ to questions. The result is a modern dispute, a match between the ‘science of the heart’ dreamt up by Marivaux in 1723 and the ‘conscious’ machine imagined by Alan Turing in 1950.

Hélène Frappat text
Anne Monfort director
With Maria Aziz Alaoui, Neil-Adam Mohammedi performers
François Vey sound design
Pearl Manifold artistic collaboration
Marine Gressier costumes
Clotilde Chevet, Jean-Louis Giavitto, Nicolas Obin scientific advisors

Les Jeux de l'amour et de l'énigme,  premiere 2025

Edit
  • Les Jeux de l'amour et de l'énigme - site ManiFeste 2025
Produced by Compagnie day-for-night. Coproduced by IRCAM-Centre Pompidou, Scène de recherche-ENS Paris Saclay. With the support of Cube Garges, Opéra de Massy, T2G-Théâtre de Gennevilliers - Centre dramatique national, and the Fonds d'Insertion pour Jeunes Comédien.ne.s du ESAD-PSPBB.
  • Anne Monfort  None
    Anne Monfort
  • Hélène Frappat  None
    Hélène Frappat
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