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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Generative AI
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
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  • Laquelle se passe ailleurs








Sat 9 September 2023,
9 p.m.
Dampfzentrale Bern
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Creation
Performance






Laquelle se passe ailleurs

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Mathieu Corajod, a young Swiss artist, has inherited the practices of Georges Aperghis, renewing contemporary musical theater through the hybridization of artistic practices, interdisciplinary collaboration and the use of technology. On stage, a singer, an actor, a dancer, a percussionist, are all connected by technology, with no other musical instrument than bodies, voices, and found objects. This theater of words and "intelligent" objects is a score of breath, gestures, fragments drawn occasionally from press clippings, which multiplies confusions, meanings, and connotations.

Irony and fluidity, the writer Dominique Quélen shares a taste for the absurd that emerges from daily life and human chatter with Mathieu Corajod. We cut the words "dif fer en tly", the performers constantly swapping their roles in this creation, which will always take place elsewhere.

 

Staged poems 

A creation by Chloé Bieri, Mathieu Corajod, Pierre Lison, Antonin Noël, Dionysios Papanikolaou, Stanislas Pili, Dominique Quélen
Dionysios Papanikolaou IRCAM computer music design
Bastien Raute IRCAM sound diffusion
Victor Egea lighting design
Lucie Meyer stage design
Pierre Sublet artistic collaboration
Georges Aperghis, Marie Albert outside views

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  • https://www.musikfestivalbern.ch/De/Programm/Produktionen/Info/1510/laquelle_se_passe_ailleurs
Production & Administration (Mixt Forma) : Anna Ladeira – Le Voisin. Coproduction IRCAM/Les Spectacles vivants-Centre Pompidou, Le Pôle Création Chorégraphique de la Fondation Royaumont, Gare du Nord Basel | Avec le Centre culturel suisse. On Tour | With the support of Ville de Bienne, Kultur Stadt Bern, Stadt Zofingen, Bürgergemeinde Bern, SWISSLOS/Culture Canton de Berne, Aargauer Kuratorium, Pro Helvetia - Fondation Suisse pour la Culture, Association Beaumarchais-SACD, la culture avec la copie privée, Bürgergemeinde Bern, Fondation Bürgi-Willert, Fondation Pro Scientia et Arte, Fondation Anne-Marie Schindler, Fondation suisse des artistes interprètes SIS, Fondation Oertli, Fondation Elisabeth Weber, Fondation Ernst Göhner, Fondation Yehoshua und Margrit Lakner, Fondation Landis & Gyr, Pour-cent culturel Migros
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