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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
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  • LabOratorium








Sun 19 May 2019,
11 a.m., Mon 20 May 2019,
8 p.m., Tue 21 May 2019,
8 p.m.
Kölner Philharmonie
Edit
Creation
Concert






LabOratorium

Edit






In LabOratorium, the final work in a trilogy on the city of Cologne, Philippe Manoury tries to reimagine the orchestra, offering a new concept of sound at the same time as new concert halls, with new possibilities, are opening.

PHILIPPE MANOURYLABORATORIUM, premiere
for two singers, two actors, a vocal ensemble, chorus, electronic orchestra
Commissioned by the Gürzenich-Orchester Köln, IRCAM-Centre Pompidou, Philharmonie de Paris

Rinnat Moriah soprano
Tora Augestad mezzo-soprano
Patrycia Ziolkowska Sebastian Rudolph narrators  
Gürzenich-Orchester Köln
SWR Vocalensemble
Chorus Stella Maris
François-Xavier Roth conductor
Thomas Goepfer Computer Music Design
Nicolas Stemann director

Edit
An IRCAM-Centre Pompidou and Gürzenich-Orchester Köln coproduction. With the support of Ernst von Siemens Musikstiftung
  • Philippe Manoury  © Tomoko Hidaki
    Philippe Manoury © Tomoko Hidaki
  • Orchestre du Gürzenich de Cologne  © Holger Talinski
    Orchestre du Gürzenich de Cologne © Holger Talinski
  • François-Xavier Roth  © Holger Talinski
    François-Xavier Roth © Holger Talinski
  • Choeur Stella Maris  © DR
    Choeur Stella Maris © DR
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