• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Vimala Pons in studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Replay: 2022.23 Concerts
    • Seasons from 1996 to present
    • ManiFeste-2023 Website
    • ManiFeste festival from 2012 to 2023
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • 2023.24 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • Sound spatialization
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
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  • Designing the Living








February 20 through Mon 15 April 2019,
11 a.m.- 9 p.m.
Centre Pompidou
Galerie 4

Entry with a ticket to the museum and exhibitions at the Centre Pompidou.

More information

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Creation
Exhibit






Designing the Living

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A part of "Mutations/Créations 3"
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The very notion of "alive" can be found throughout in the physical field of matter as much as in the intangible digital field,  as in prominent artistic disciplines. Bio-, neuro-, become the most frequent prefixes to signal the instability of the living. The new exhibition in the "Mutations/Creations" program traces the archeology of the living and presents the most significant creations and innovations in the fields of art, design, architecture, and music; in particular with the sonic and furtive Biotope imagined by Jean-Luc Hervé. This exhibition, with its evolving material, plays with growth and degeneration and gathers 40 young artists and lab projects.

Curators: Marie-Ange Brayer, chief curator, Design et prospective industrielle, Mnam-CCI, Centre Pompidou
Olivier Zeitoun, assistant curator, Design et prospective industrielle, Mnam-CCI, Centre Pompidou

Sound Event:
JEAN-LUC HERVÉ BIOTOPE, Premiere 2019
commissioned by IRCAM-Centre Pompidou
IRCAM computer music design Thomas Goepfer

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An IRCAM/Musée national d’art moderne-Centre Pompidou coproduction.
  • Mycelium Chair  © Eric Klarenbeek, Studio Klarenbeek & Dros
    Mycelium Chair © Eric Klarenbeek, Studio Klarenbeek & Dros
  • Venus, Natural Crystal Chair  © Tokujin Yoshioka
    Venus, Natural Crystal Chair © Tokujin Yoshioka
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