• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2024.25
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Designing Audio Experiences on the Web
    • Generative AI
    • Sound Design
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
    • Softwares
    • Ircam Amplify
    • Innovative art-science-technology processes
    • Forum Vertigo
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  • Designing the Living








February 20 through Mon 15 April 2019,
11 a.m.- 9 p.m.
Centre Pompidou
Galerie 4

Entry with a ticket to the museum and exhibitions at the Centre Pompidou.

More information

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Creation
Exhibit






Designing the Living

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A part of "Mutations/Créations 3"
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The very notion of "alive" can be found throughout in the physical field of matter as much as in the intangible digital field,  as in prominent artistic disciplines. Bio-, neuro-, become the most frequent prefixes to signal the instability of the living. The new exhibition in the "Mutations/Creations" program traces the archeology of the living and presents the most significant creations and innovations in the fields of art, design, architecture, and music; in particular with the sonic and furtive Biotope imagined by Jean-Luc Hervé. This exhibition, with its evolving material, plays with growth and degeneration and gathers 40 young artists and lab projects.

Curators: Marie-Ange Brayer, chief curator, Design et prospective industrielle, Mnam-CCI, Centre Pompidou
Olivier Zeitoun, assistant curator, Design et prospective industrielle, Mnam-CCI, Centre Pompidou

Sound Event:
JEAN-LUC HERVÉ BIOTOPE, Premiere 2019
commissioned by IRCAM-Centre Pompidou
IRCAM computer music design Thomas Goepfer

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An IRCAM/Musée national d’art moderne-Centre Pompidou coproduction.
  • Mycelium Chair  © Eric Klarenbeek, Studio Klarenbeek & Dros
    Mycelium Chair © Eric Klarenbeek, Studio Klarenbeek & Dros
  • Venus, Natural Crystal Chair  © Tokujin Yoshioka
    Venus, Natural Crystal Chair © Tokujin Yoshioka
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