• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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    • Sound Systems and Signals: Audio/Acoustics, InstruMents
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    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Generative AI
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
    • Softwares
    • Ircam Amplify
    • Innovative art-science-technology processes
    • Forum Vertigo
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  • Journées Perception Sonore








Tue 21 November 2023,
9:30 a.m.- 9:30 p.m., and
Wed 22 November 2023,
9 a.m.- 4 p.m.
Ircam
Espace de projection
Downloads

prg-journées-perception-sonore.pdf

Reservation required

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Research
Encounter






Journées Perception Sonore

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The Sound Perception Days are organized under the auspices of the Sound Perception Group at the Société française d'acoustique (SFA), and aim to bring together the French scientific community with an interest in sound perception. For this year's event (2023), around a hundred researchers are gathered around a central theme: "Sound Perception and Health".

Organisation
Emmanuel Ponsot (CNRS-STMS), Patrick Susini (IRCAM-STMS)

Scientific Committee
Frédéric Bevilacqua (IRCAM), Laurianne Cabrera (INCC), Nicolas Grimault (CNRS), Vincent Koehl (Univ. Brest), Mathieu Lavandier (ENTPE), Christian Lorenzi (ENS), Olivier Macherey (CNRS), Sabine Meunier (CNRS), Nicolas Misdariis (Ircam), Rozenn Nicol (Orange-Lab), Emmanuel Ponsot (CNRS), Patrick Susini (IRCAM), Isabelle Viaud-Delmon (CNRS), Léo Varnet (ENS), Coralie Vincent (CNRS), Olivier Warusfel (IRCAM)

Partners
STMS, CNRS, La Semaine du Son, ANSYS

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  • https://sites.google.com/view/jps-2023/accueil
Production IRCAM -Centre Pompidou. Photo : Espace de projection, janvier 2023 © Ircam-Centre Pompidou, photo : Quentin Chevrier
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