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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • IRCAM Talks #009








Mon 3 December 2018,
6 p.m.
Ircam
salle Stravinsky

Free entry, limited seats available.

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Innovations
Encounter






IRCAM Talks #009

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"Web Wall Whispers (WWW)", an interactive web-based soundwork
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Stefano Gervasoni (composer), Marco Liuni (researcher), Luca Morino (computer music designer) and Francesco Cretti (developer), present Web Wall Whispers (WWW), an interactive web-based soundwork

Conceived as part of the Segni per la Speranza artwork produced by Fondazione Spinola Banna per l’Arte: it’s a virtual high-quality exploration of a mural, that generates a different interactive musical composition at every access. WWW is an audio-visual experience with an open form determined by the exploration of the user; the work is conceived so as to offer a fruition that is never repetitive, which may take place through rapid exploration or spread over the time span typical of a concert or a traditional audio-visual installation.

The user has access to images of the mural work in high resolution and the continual unfolding of an interactive musical work. Thanks to a dynamic and stratified concept of audio streaming, the listening process is always polyphonic: the sound material activated by the gestures/actions of the user overlaps in various layers with various degrees of presence.

The listener traces the musical form as s/he visually explores the wall and, guided by the images and the sound, navigates through their own audio-visual trajectory.

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In partnership with the Fondazione Spinola Banna per l’Arte, Politecnico, and the Conservatorio de Turin.

IRCAM Talks

IRCAM Talks present the technical and/or artistic aspects of a creation, a residence in artistic research, a creative process, or an artistic motivation/career. These participatory seminars are open to the public and intended for sound professionals, artists, scientists, teachers, students, makers, designers, inquiring minds…

The next rendezvous

Thursday, February 21, 6pm
"About Inscape " with Hèctor Parra (composer)

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