• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Sivan Eldar in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 25.26
    • 2025-2026
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2025
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Creation of interactive environments
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2026 Festival Academy
    • In Situ Dance Film Composition
    • In Situ Electronic Composition
    • Solo and electronics
    • ULYSSES Ensemble
    • 2026 Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
    • Softwares
    • Ircam Amplify
    • Innovative art-science-technology processes
    • Forum Vertigo
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  • IRCAM: 1980-1990








Tue 4 March 2025,
2:30 p.m.- 5:30 p.m.
Ircam
salle Stravinsky

Free, reservation required

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Research
Seminar






IRCAM: 1980-1990

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As part of the third year of the multiannual seminar “Les cinquante premières années du Centre Georges-Pompidou : bilans et perspectives” organized by the Comité d'histoire du ministère de la Culture.
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Evolution of research at IRCAM: from the restructuring of the institute in 1980 to the creation of a joint research unit in partnership with the CNRS in 1995
with François-Xavier Féron CNRS research fellow assigned to the STMS joint laboratory at IRCAM, coordinator of the RAMHO project - Recherche et Acoustique Musicales en France: une Histoire Orale.

Musical research and creation: what interactions?
with Jean-Baptiste Barrière composer and former Director of Musical Research, then Pedagogy, and lastly Creation at IRCAM (until 1998).

Keynote speaker Laurent Bayle former Artistic Director of IRCAM (1986), then Director of IRCAM (1992-2001), former General Director of the Cité de la musique - Philharmonie de Paris (2001-2021)


Pierre Boulez avec, de gauche à droite, Didier Arditti, Andrew Gerzso et Giuseppe di Giugno travaillant avec le dispositif électroacoustique pour Répons à l'Espace de projection (1980) © Fabien Chalhoub

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  • https://chmcc.hypotheses.org/15454
Organized by the Comité d'histoire of the French Ministry of Culture, in partnership with the Centre Pompidou and the Fondation des Treilles, under the direction of a scientific committee chaired by Pascal Ory, of the Académie française, professor emeritus of universities and member of the Comité d'histoire, and coordinated by Brigitte Gilardet, art historian, art critic, member of the AICA, associate researcher at the CHSP.
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