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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Generative AI
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
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    • Ircam Amplify
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  • Improtech 2019








September 26 through Sun 29 September 2019,
8:30 p.m.
Onassis STEGI
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prg_improtech2019.pdf

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Research
Symposium






Improtech 2019

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ImproTech brings together researchers and creators around the idea of musical improvisation in interaction with digital "intelligence", acknowledging the important developments taking place in this emerging creative field. This year, Paris will connect with Athens, in a powerful arc driven by the science and art of improvisation, following the Paris-Philadelphia edition in 2017 and the Paris-New York edition in 2012.

Both a workshop and a festival, ImproTech creates a unique link between the European and global scenes of research and creation through the symbolic meeting of Paris, where the event began at IRCAM, and another major city emblematic for its intellectual and musical life.

Organization
Gérard Assayag IRCAM-STMS, Christos Carras  Onassis STEGI, Marc Chemillier EHESS Anastasia Georgakis University of Athens

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An IRCAM-STMS, Onassis STEGI, University of Athens production. With the support of the Collegium Musicæ, the Ministry of Culture, the CNRS, Sorbonne University, the Onassis Foundation, the Institut de France, and dJazz.

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Research

"The human – machine co-creativity will change radically our musical experience"

Article
The Greek journalist Thanos Madzanas met with a member of the General Chair, Gérard Assayag, in the midst of preparation for the event. A researcher at IRCAM and head of the institute’s Musical Repre…
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