• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
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  • How to Proceed








November 22 through Fri 23 November 2018,
8:30 p.m.
Centre Pompidou
Grande salle
Downloads

prg_how_to_proceed.pdf

Prices

Full : 18 €
Discount Price : 14 €
IRCAM Card : 10 €

Edit
Creation
Dance






How to Proceed

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French Premiere
Edit






In celebration of the 20th anniversary of his company ZOO, the choreographer Thomas Hauert honors his closest collaborators. The dancers and their amazing capacity to improvise as a collective, the lighting designers, the costumers and scenographers meet the meticulous precision of Mauro Lanza’s electronics. Thomas Hauert carries us with a tumultuous dialogue between each protagonist and the collective created on stage: a trompe l’œil where speech expresses a growling anger faced with a world adrift.

Thomas Hauert concept and direction
Danse created and performed by Fabian Barba, Thomas Hauert, Liz Kinoshita, Sarah Ludi, Albert Quesada/Federica Porello, Gabriel Schenker, Samantha van Wissen, Mat Voorter
Mauro Lanza (commissioned by IRCAM-Centre Pompidou), Mina/Beatles, J.S. Bach music
Bart Celis sound
François Gremaud dramaturgic collaboration
Chevalier-Masson, Bert Van Dijck, ZOO scenography
Chevalier-Masson costumes
Isabelle Airaud costumes production
Bert Van Dijck lighting

Edit
A ZOO/Thomas Hauert, DC&J Creation production An IRCAM/Les Spectacles vivants-Centre Pompidou, Théâtre de Liège, Charleroi danse – Centre chorégraphique de la fédération Wallonie-Bruxelles, Les Subsistances – Laboratoire international de création artistique, Studio Charleroi danse – La Raffinerie, Grand Studio, GC De Kriekelaar coproduction With the support of the Fédération Wallonie-Bruxelles – Service de la danse, Pro Helvetia – Fondation Suisse pour les arts, Vlaamse Gemeenschapscommissie, Ein Kulturengagement des Lotterie-Fonds des Kantons Solothurn, Wallonie-Bruxelles International, Loterie Nationale.
  • ZOO/Thomas Hauert, How to proceed, 2018  © Bart Grietens
    ZOO/Thomas Hauert, How to proceed, 2018 © Bart Grietens
  • ZOO/Thomas Hauert, How to proceed, 2018  © Bart Grietens
    ZOO/Thomas Hauert, How to proceed, 2018 © Bart Grietens
  • ZOO/Thomas Hauert, How to proceed, 2018  © Bart Grietens
    ZOO/Thomas Hauert, How to proceed, 2018 © Bart Grietens
  • © Fabrice Domercq
    © Fabrice Domercq
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