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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • In honor of Éric Daubresse








Tue 22 January 2019,
8 p.m.
Studio Ansermet
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Creation
Concert






In honor of Éric Daubresse

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IRCAM and the Haute Ecole de Musique de Genève present a tribute to Éric Daubresse. Composer and teacher extremely involved in both institutions, Éric Daubresse was also a computer music designer and worked closely with Emmanuel Nunes, as seen in this concert program. A tribute concert will be held in honor of Éric Daubresse in Paris during the festival ManiFeste-2019 in June.

GÉRARD GRISEY PROLOGUE
for viola and electronics
ARIADNA ALSINA TARRÉS NE PLEUREZ PAS INSECTES (Boue qui s'écoule...)
for soprano, cello, and electronics
ÉRIC DAUBRESSE LE FEU
acousmatic work (1982)
Diffusion, Luis Naon
GONZALO BUSTOS TEMPS DE TERRE
for cajon and electronics
EMMANUEL NUNES NACHTMUSIK * 
for five instruments and electronics (excerpts)

 Ana María Villamizar soprano
Gabriel Valtchev cajon
Esther Lefebvre cello
Hans Egidi viola
Ensemble Contrechamps
Clement Power conductor 
Gonzalo Bustos (IRCAM) Eric Daubresse et Ariadna Alsina Tarrés Computer Music Design  
José-Miguel Fernandez (IRCAM)David Poissonnier Computer Music Production *

 

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  • Éric Daubresse en studio à l'Ircam  None
    Éric Daubresse en studio à l'Ircam
  • De gauche à droite, Jean Lochard, Éric Daubresse et un étudiant du cursus
    De gauche à droite, Jean Lochard, Éric Daubresse et un étudiant du cursus
  • Ensemble Contrechamps  © Alain Kissling
    Ensemble Contrechamps © Alain Kissling
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