Grisey / Posadas
“The ideas inherent to Chants de l’Amour require the use of a synthesized voice although it is difficult not to eroticize the sounds of the computer.” This is how Gerard Grisey announces the complexity of the project carried out at IRCAM in the 1980s. The computer program Chant made it possible to create pure synthesis and transform concrete sounds using filters. Ten different languages, litanies, interjections…. Les Chants de l’Amour modify this heterogeneous material over time. Even more,
GÉRARD GRISEY LES CHANTS DE L’AMOUR
ALBERTO POSADAS VOCES NÓMADAS
Ensemble Musicatreize
Roland Hayrabedian Conductor
Thomas GoepferIRCAM Computer Music Design
- Alberto Posadas © Harald Hoffmann / Ed. Durand
- Roland Hayrabedian pendant les répétitions de « Voces Nómadas » © Cumulus
- L'Ensemble MusicaTreize pendant les répétitions de « Voces Nómadas » © Cumulus
- Ensemble Musicatreize © Guy Vivien