Duration
2h20
Grand soir numérique
For the fifth edition of the Grand Soir Numérique, held as part of the Némo Biennial, the questions raised by the inclusion of technology in the creative process are becoming ever more pressing and complex. In Intégrales (1925), Varèse imagined the ever-changing projection of a geometric figure on a plane, an experiment in ever-changing speeds. Sound projections, space travel - these visual analogies apply in their entirety to sound. In the age of multimedia, this type of experience is most often resolved in video, as in the case of Tatsuru Arai, a Japanese artist based in Berlin. Tryphème and Ulysse Lefort simultaneously manipulate sound and video. As for Yang Song, an IRCAM graduate, she rearranges musical gestures through technology and editing.
Samuel Favre percussion
Ensemble intercontemporain
Corinna Niemeyer conductor
João Svidzinski IRCAM electronics
Tatsuru Arai video and music
Tryphème music
Ulysse Lefort video
Pierre Jodlowski Time & Money
Yang Song Les adieux de la concubine - Premiere 2023
commissioned by IRCAM-Centre Pompidou and the Ensemble intercontemporain
Edgard Varèse Intégrales
Tatsuru Arai Re-Solarization
Tryphème/Ulysse Lefort LAVA (short version)
