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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Generative AI
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
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  • Grand soir numérique








Fri 8 December 2023,
8 p.m.
Cité de la musique
Salle des concerts
Prices

Full price : 26 €
Discount price : 22.10 €
IRCAM Card : 19.50 €
Youth Pass : 8 €

Duration
2h20

Edit
Creation
Concert






Grand soir numérique

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In the framework of the Némo-Biennale internationale des arts numériques de la Région Île-de-France
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For the fifth edition of the Grand Soir Numérique, held as part of the Némo Biennial, the questions raised by the inclusion of technology in the creative process are becoming ever more pressing and complex. In Intégrales (1925), Varèse imagined the ever-changing projection of a geometric figure on a plane, an experiment in ever-changing speeds. Sound projections, space travel - these visual analogies apply in their entirety to sound. In the age of multimedia, this type of experience is most often resolved in video, as in the case of Tatsuru Arai, a Japanese artist based in Berlin. Tryphème and Ulysse Lefort simultaneously manipulate sound and video. As for Yang Song, an IRCAM graduate, she rearranges musical gestures through technology and editing.

Samuel Favre percussion
Ensemble intercontemporain
Corinna Niemeyer  conductor
João Svidzinski IRCAM electronics
Tatsuru Arai video and music
Tryphème music
Ulysse Lefort video

Pierre Jodlowski Time & Money
Yang Song
Les adieux de la concubine - Premiere 2023
commissioned by IRCAM-Centre Pompidou and the Ensemble intercontemporain
Edgard Varèse
Intégrales
Tatsuru Arai Re-Solarization
Tryphème/Ulysse Lefort LAVA (short version)

Edit
  • https://www.biennalenemo.fr/
  • https://philharmoniedeparis.fr/fr
Coproduction Philharmonie de Paris, LE CENTQUATRE-PARIS. En partenariat avec l’Ircam-Centre Pompidou.
  • La cheffe Yue Bao  None
    La cheffe Yue Bao
  • La compositrice Yang Song  None
    La compositrice Yang Song
  • Le compositeur Pierre Jodlowski  © Lukasz Rajchert
    Le compositeur Pierre Jodlowski © Lukasz Rajchert
  • L'artiste Tryphème  © Ariane Kiks
    L'artiste Tryphème © Ariane Kiks
  • L'artiste Ulysse Lefort  None
    L'artiste Ulysse Lefort
  • Vidéo, Tryphème et Ulysse Lefort  None
    Vidéo, Tryphème et Ulysse Lefort
  • Vidéo, Re-Solarization de Tatsuru Arai  None
    Vidéo, Re-Solarization de Tatsuru Arai
  • Vidéo, Re-Solarization de Tatsuru Arai  None
    Vidéo, Re-Solarization de Tatsuru Arai

Until the concert... Grand soir numérique

  1. Intégrales by Edgard Varèse (recorded at the CENTQUATRE-PARIS, 2018)
  2. Phoenix Eye, Dragon Eye by Yang Song (recorded at the CENTQUATRE-PARIS, 2021)
  3. De Front by Pierre Jodlowski (recorded at IRCAM, 2008)
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