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    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Vimala Pons in studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 23.24
    • Season 2023.24
    • Replay: 2022.23 Concerts
    • Seasons from 1996 to present
    • ManiFeste-2023 Website
    • ManiFeste festival from 2012 to 2023
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2023.24
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • Sound spatialization
    • Designing Audio Experiences on the Web
    • Interact, Compose, Improvise with Generative Agents
    • Other training programs
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • Music Doctorate
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2024 Festival Academy
    • 2024 ÉLAN award
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
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  • Grand soir numérique








Fri 8 December 2023,
8 p.m.
Cité de la musique
Salle des concerts
Prices

Full price : 26 €
Discount price : 22.10 €
IRCAM Card : 19.50 €
Youth Pass : 8 €

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Creation
Concert






Grand soir numérique

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In the framework of the Némo-Biennale internationale des arts numériques de la Région Île-de-France
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For the fifth edition of the Grand Soir Numérique, held as part of the Némo Biennial, the questions raised by the inclusion of technology in the creative process are becoming ever more pressing and complex. In Intégrales (1925), Varèse imagined the ever-changing projection of a geometric figure on a plane, an experiment in ever-changing speeds. Sound projections, space travel - these visual analogies apply in their entirety to sound. In the age of multimedia, this type of experience is most often resolved in video, as in the case of Tatsuru Arai, a Japanese artist based in Berlin. Tryphème and Ulysse Lefort simultaneously manipulate sound and video. As for Yang Song, an IRCAM graduate, she rearranges musical gestures through technology and editing.

Samuel Favre percussion
Ensemble intercontemporain
Yue Bao conductor
João Svidzinski IRCAM electronics
Tatsuru Arai video and music
Tryphème music
Ulysse Lefort video

Edgard Varèse Intégrales
Yang Song Les adieux de la concubine - Premiere 2023
commissioned by IRCAM-Centre Pompidou and the Ensemble intercontemporain
Pierre Jodlowski Time & Money
Tryphème/Ulysse Lefort LAVA (short version)
Tatsuru Arai Re-Solarization

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  • https://www.biennalenemo.fr/
  • https://philharmoniedeparis.fr/fr
Coproduction Philharmonie de Paris, LE CENTQUATRE-PARIS. En partenariat avec l’Ircam-Centre Pompidou.
  • La cheffe Yue Bao  None
    La cheffe Yue Bao
  • La compositrice Yang Song  None
    La compositrice Yang Song
  • Le compositeur Pierre Jodlowski  © Lukasz Rajchert
    Le compositeur Pierre Jodlowski © Lukasz Rajchert
  • L'artiste Tryphème  © Ariane Kiks
    L'artiste Tryphème © Ariane Kiks
  • L'artiste Ulysse Lefort  None
    L'artiste Ulysse Lefort
  • Vidéo, Tryphème et Ulysse Lefort  None
    Vidéo, Tryphème et Ulysse Lefort
  • Vidéo, Re-Solarization de Tatsuru Arai  None
    Vidéo, Re-Solarization de Tatsuru Arai
  • Vidéo, Re-Solarization de Tatsuru Arai  None
    Vidéo, Re-Solarization de Tatsuru Arai

Until the concert... Grand soir numérique

  1. Intégrales by Edgard Varèse (recorded at the CENTQUATRE-PARIS, 2018)
  2. Phoenix Eye, Dragon Eye by Yang Song (recorded at the CENTQUATRE-PARIS, 2021)
  3. De Front by Pierre Jodlowski (recorded at IRCAM, 2008)
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