• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Sivan Eldar in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Creation of interactive environments
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
    • Softwares
    • Ircam Amplify
    • Innovative art-science-technology processes
    • Forum Vertigo
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  • Fictions-Science #9: Music & Architecture: Rooms and Arts under the Influence?








Wed 5 February 2025,
6:30 p.m.
Ircam
salle Stravinsky
Prices

Free entry, limited seats available

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Creation
Encounter






Fictions-Science #9: Music & Architecture: Rooms and Arts under the Influence?

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Pierre Boulez, founder of the IRCAM under the Place Stravinsky, has often referred to architectural revolutions, imagining that new musical materials, such as electronics, give rise to new forms. Engineering has a direct influence on both music and architecture.

In 2025, the Centre Pompidou is planning to extend its building by 2030: Beaubourg will be renewed with this underground ‘Agora’, while retaining its original structure. To celebrate the centenary of Pierre Boulez's birth and echo the forthcoming renovation of the Centre Pompidou, architects, researchers, and musicians are exploring the relationship between the places they work for and the music that is performed within their walls.

With Pierre Carré, computer music designer on tour with the reprise of Répons, IRCAM
Eckhard Kahle, acoustician, who has contributed to the construction of numerous concert halls: he was the project manager for Lucerne and the project manager for the Philharmonie
Boris Hamzeian, project manager at the Centre Pompidou for the treatment and development of the Piano+Rogers Architect collection, adviser for the 2025-2030 works, he directs the collection Centre Pompidou: chroniques d'idées, de conception, de fabrication et d'évolution (1968-2030)

Moderated by Isabelle Regnier, journalist and critic, head of the architecture and heritage section at Le Monde newspaper.

Piano+Rogers Architects et Ove Arup & Partners, projet de realisation de l'IRCAM, Paris, coupe, 1973-1974
© RSHP Archives, fonds Piano+Rogers Architects ©Renzo Piano, Richard Rogers (courtesy Fondazione Renzo Piano, Richard Rogers Estates)

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Co-production IRCAM, Centre Pompidou, et Bpi.
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