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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Féminin Pluriel








Fri 14 December 2018,
8:30 p.m.
Cité de la musique
Amphithéâtre
Prices

Full : 32 €
Discount Price : 27.20 €
IRCAM Card : 27.20 €

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Creation
Concert






Féminin Pluriel

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A part of the Émergences à la Philharmonie de Paris weekend
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Born between 1968 and 1984, the female composers on the program this evening present a wide range of inspirations and aesthetics. Diana Soh, born in Singapore, delves into the intimacy of the piccolo using electronics while the Italian, Lara Morciano, prefers to establish a chamber dialogue between performer and computer. Certain turn towards the visual arts like Tansy Davies, others towards life in orbit—the Japanese Misato Mochizuki—or musical theater (the Slovenian Nina Šenk). The Norwegian Maja Ratkje asks her performers to find the material for their performance in banal events that took place during the day of the concert performance…

Soloists from the Ensemble intercontemporain
José-Miguel Fernandez, Diana Soh IRCAM computer music design

DIANA SOH [P][K][T]
TANSY DAVIES ARABESCOS
MISATO MOCHIZUKI AU BLEU BOIS
MAJA SOLVEIG KJELSTRUP RATKJE BREAKING THE NEWS, French Premiere
NINA ŠENK MOVIMENTO FLUIDO III, French Premiere
LARA MORCIANO RAGGI DI STRINGHE

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An Ensemble intercontemporain, Philharmonie de Paris coproduction. In partnership with IRCAM-Centre Pompidou. With the support of the Sacem.
  • Diana Soh  © Daniel Campbell
    Diana Soh © Daniel Campbell
  • Tansy Davies  © Dimitri Djuric
    Tansy Davies © Dimitri Djuric
  • Misato Mochizuki  © Jérémie Souteyrat, Tokyo, 2010
    Misato Mochizuki © Jérémie Souteyrat, Tokyo, 2010
  • Maja Solveig Kjelstrup Ratkje  © Ellen Lande Gossner
    Maja Solveig Kjelstrup Ratkje © Ellen Lande Gossner
  • Nina Šenk  © Ciril Jazbec
    Nina Šenk © Ciril Jazbec
  • Lara Morciano  © Luc Hossepied
    Lara Morciano © Luc Hossepied
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