• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Generative AI
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
    • Softwares
    • Ircam Amplify
    • Innovative art-science-technology processes
    • Forum Vertigo
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  • Ensemble ULYSSES








Sat 22 June 2024,
9 p.m.
Centre Pompidou
Grande salle
Downloads

programme_ensemble_ulysses.pdf

Prices

Full : 18 €
Discount Price : 14 €
ManiFeste Pass : 10 €
Youth Pass : 8 €

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Creation
Concert






Ensemble ULYSSES

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ManiFeste-2024 Academy
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ManiFeste 2024's final journey, with young artists from Ensemble ULYSSES and musicians from Ensemble intercontemporain, features the festival's hallmarks: burlesque, vivacity, and vanishing points.

Chambered Music, written at the age of 30 by Simon Steen-Andersen, breaks the confinement of sound loops with unexpected breakthroughs.

Michael Jarrell's La Chambre aux échos, inspired by Richard Powell's famous book, explores the correlations of the brain, through the circuits and introspections of a score of immense scope.

Finally, Ligeti exhibits the madness reigning in Brueghelland, the land of the Grand Macabre. The mental and vocal lapses of Gepepo, the paranoid police chief, are played by a "coloratura" trumpet.

A burst of laughter and an innate sense of the grotesque and of transgression, by way of a final clap.

Clément Saunier trumpet
Ensemble ULYSSES
Ensemble intercontemporain
Pierre Bleuse conductor
Pierre Carré IRCAM electronics
Clément Cerles IRCAM sound diffusion


Michael Jarrell La Chambre aux échos
György Ligeti Mysteries of the Macabre
Simon Steen-Andersen Chambered Music
Feliz Anne Reyes Macahis Diwata

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Coproduction IRCAM/Les Spectacles vivants-Centre Pompidou, Ensemble intercontemporain, ensemble associated with the Academy. with the support of the ULYSSES network supported by the European Union’s Creative Europe program.
  • Le compositeur Michael Jarrell  None
    Le compositeur Michael Jarrell
  • Le compositeur Simon Steen-Andersen  © Quentin Chevrier
    Le compositeur Simon Steen-Andersen © Quentin Chevrier
  • Le compositeur Gyorgy Ligeti  None
    Le compositeur Gyorgy Ligeti
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