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    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Sivan Eldar in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 25.26
    • 2025-2026
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2025
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Creation of interactive environments
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2026 Festival Academy
    • In Situ Dance Film Composition
    • In Situ Electronic Composition
    • Solo and electronics
    • 2026 Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
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    • Ircam Amplify
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  • Ensemble Musikfabrik 2








Thu 12 June 2025,
9 p.m.
Le CENTQUATRE-PARIS
salle 400
Downloads

prg-musikfabrik-2.pdf

Prices

ManiFeste Pass : 12 €
Youth Pass : 9 €

Length: approximately 1 hour

Edit
Creation
Concert






Ensemble Musikfabrik 2

Edit






The second half presents two musical “novels,” each weaving its own unique narrative. In Faro, rising composer Claudia Jane Scroccaro conjures the spectral presence of Italian poet Amelia Rosselli through voice, language, and sound. Meanwhile, Michael Jarrell’s Archipelagos charts the odyssey of a solo percussionist, culminating in a haunting return to the island of origin—with dusting of sound.

Johanna Vargas soprano
Dirk Rothbrust percussions
Ensemble Musikfabrik
Elena Schwarz conductor
Matéo Fayet, Dionysios Papanikolaou IRCAM electronics
Sylvain Cadars IRCAM sound diffusion

Michael Jarrell 4 îles d’un archipel - French Premiere
Commissoned by Musifabrik and Kunststiftung NRW, Wien Modern, IRCAM-Centre Pompidou, with the support of Pro Helvetia
Claudia Jane Scroccaro Faro - Premiere 2025
Commissoned by Fondation Royaumont, Michèle Gagliano, and IRCAM-Centre Pompidou, with the support of the Fondation Pierre Boulez and the Sacem

Edit
  • Ensemble Musikfabrik 2 - site ManiFeste 2025
Produced by IRCAM-Centre Pompidou. With the support of Sacem. IRCAM and the CENTQUATRE-PARIS are partners for experimental performance projects. Photo: L'Ensemble Musikfabrik © Jonas-Werner-Hohensee
  • compositeur, Michael Jarrell © DR  None
    compositeur, Michael Jarrell © DR
  • compositeur, Claudia Jane Scroccaro © DR  None
    compositeur, Claudia Jane Scroccaro © DR
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