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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
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  • Emerging from Currents and Waves








Fri 31 August 2018,
7 p.m.
The Baltic Sea Festival
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Creation
Concert






Emerging from Currents and Waves

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During the performance of Emerging from Currents and Waves, the roles of Martin Fröst and Esa-Pekka Salonen will be expanded through the use of Jesper Nordin’s invention, the Gestrument (Gesture Instrument), a digital composition tool and motion-based instrument. In addition to being the soloist and conductor respectively, they will control the virtual orchestra and the interactive lighting installation that is suspended above the stage. Using advanced technology and stage design, everything that happens electronically is visualized in real time.

JESPER NORDIN EMERGING FROM CURRENTS AND WAVES, for full symphony orchestra, clarinet soloist, live electronics ands live visuals.
Commissioned by Swedish Radio Symphony Orchestra, IRCAM-Centre Pompidou and Radio France

Martin Frost clarinet
Swedish Radio Symphony Orchestra 
Conductor 
Esà-Pekka Salonen 
Composer and Software 
Jesper Nordin
IRCAM Sound Engineer
Martin Antiphon 
IRCAM Computer Music Design
Manuel Poletti 
Video 
Thomas Goepfer 
Choreographer 
Virpi Pahkinen
Stage designer
 Katrin Brännström

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  • Swedish Radio Symphony Orchestra  © Julian Hargreaves
    Swedish Radio Symphony Orchestra © Julian Hargreaves
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