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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Element (projet ANR)








Thu 13 October 2022,
Fri 14 October 2022,
Fri 21 October 2022,
10 a.m.- 6 p.m.
Ircam
salle Stravinsky
Prices

Free entry, limited seats available

Online on Youtube

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Research
Workshop






Element (projet ANR)

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For the end of our project ELEMENT - Enabling Learnability in Movement Interaction - we present the main project results, with presentations along with invited keynote speakers (Oct.13-14), as well as one day of workshops/demos (Oct. 21).

The presentations will concern movement-based interaction, from different perspectives: user-centered and participatory design studies, interactive machine learning tools and applications covering arts (dance and music), education and health.

Organization Frédéric Bevilacqua (Sound Music Movement Interaction Team, IRCAM-STMS)

Detailed Program

Thursday, October 13 - Stravinsky room

10:30 - 11:00am
Welcome

11:00 - 12:00am
Overview of ELEMENT project with key results, with Frédéric Bevilacqua

 2:00 - 6:00pm
Theme 1: Interactive Machine Learning
Invited speaker: Rebecca Fiebrink & Paola Tubaro

2:00 - 3:00pm
Keynote Speaker Rebecca Fiebrink

3:00 - 3:30pm
Interactive Machine Teaching, with T. Sanchez, B. Caramiaux

3:30 - 4:30pm
Marcelle: Composing Interactive Machine Learning Workflows and
Interfaces, with J. Françoise, B. Mohammadzadeh

4:30 - 5:00pm | Break

5:00 - 6:00pm
Invited talk and discussion (to be announced)

Friday, October 14 - Stravinsky room

Theme 2: Learning or Re-Learning Movements
Invited speaker: Ana Tajadura-Jiménez

10:30 - 11:00am
Welcome

11:00 - Noon
Keynote Speaker Ana Tajadura-Jiménez

Noon - 1:00pm
From education to rehabilitation using sensory feedback
Tools: the CoMo Family with F. Bevilacqua
Learning and Exploring with sonification, with A. Loriette, A. Liu, V. Paredes

Theme 3: Movement-based interaction: artistic applications
Invited speaker: Andrew McPherson

2:30 - 3:30pm
Keynote Speaker Andrew McPherson

3:30 - 4:00pm
Probing dance practice learning and transmission, with S. Fdili Alaoui, T. Grimstad Bang, J.P. Rivière, E. Walton

4:00 - 4:30 | Break

Theme 4: Beyond elementary technology: ethical and societal issues

4:30 - 5:00pm
Practice and Politics of AI in Visual Arts, with B. Caramiaux

5:00 - 6:00pm
Roundtable: discussion

Friday, October 21 - Studio 5

Participants will be introduced to the technological tools developed during the project

10:00am-1:00pm
Marcelle: A Toolkit for Composing Interactive Machine Learning Workflows and Interfaces

Demonstration and hands-on workshop by Jules Françoise et Baptiste Caramiaux. The first hour will be dedicated to a participative demo to showcase various features of the Marcelle toolkit. Then participants will be guided through the basics of programming Marcelle applications. The session will end with discussions on participants’ projects with Marcelle.

Please register by sending an email to Jules Françoise jules.francoise (@) lisn.upsaclay.fr

2:30-5:30pm
Demonstration of the CoMo-applications

2:30pm
CoMo-Elements: gesture recognition and motion-sound mapping using mobile phones with Frédéric Bevilacqua

3:10pm
CoMo.education: Telling stories with sound and movement in kindergarten with Marion Voillot

3:50pm
CoMo-rééducation: movement sonification for physical rehabilitation with Iseline Peyre

4:30pm
CoMo-Vox: an application to improve in choir conducting

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  • https://www.stms-lab.fr/projects/pages/element
An IRCAM-Centre Pompidou production. In partnership with the LISN - Laboratoire Interdisciplinaire des Sciences du Numérique, the CNRS, and the université Paris-Saclay. Supported by the French National Research Agency (ANR), project ANR-18-CE33-0002. Photo : CoMo-Rééducation: dispositif de sonification du mouvement d’auto-rééducation (thèse d’Iseline Peyre) © photo : Mikael Chevallier
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