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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Sivan Eldar in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 25.26
    • 2025-2026
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2025
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Creation of interactive environments
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2026 Festival Academy
    • In Situ Dance Film Composition
    • In Situ Electronic Composition
    • Solo and electronics
    • 2026 Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

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  • Électro-Odyssée : Deena Abdelwahed








November 7 through Sat 8 November 2025,
8 p.m.
Ircam
Espace de projection
Prices

Full : 22 €
Discount Price : 18 €
IRCAM Pass : 14 €
Pass Jeune : 10 €

Duration 50 minutes

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Creation
Performance






Électro-Odyssée : Deena Abdelwahed

Edit






Deena Abdelwahed reinvents electronic performance by drawing on intuitive improvisation, a key element in Arab musical traditions. She breaks away from the conventional links between musicians’ gestures and the sounds of traditional instruments, transforming the relationship between what is seen and what is heard. The result is a fresh and immersive musical experience

Deena Abdelwahed voice, percussion, MIDI instruments
Widad Mjama voice
Imed Alibi MIDI percussion
Nidhal Jaoua  MIDI qanûn
Robin Meier électronique IRCAM electronics
Clément Cerles IRCAM sound diffusion

Deena Abdelwahed Diwan Midi - Premiere 2025
Commissioned by IRCAM–Centre Pompidou, with support from the Pierre Boulez Foundation

Culture Relax session: November 8, 8pm

The Culture Relax program offers access to cultural venues in a welcoming and relaxed atmosphere, making it easier for people whose disabilities (autism, multiple disabilities, intellectual or psychiatric disabilities, Alzheimer's, etc.) may sometimes lead to atypical behaviors during performances. During specific sessions, traditional theater rules are relaxed, allowing these audiences to enter and leave during the show, express their appreciation vocally, and more. Everyone, whether affected by a disability or not, can freely experience their emotions and enjoy the performance together without fear.

For more information 01 44 78 12 40 or accessibilite (@) ircam.fr

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Production Ircam-Centre Pompidou. Avec le soutien du Centre National de la Musique.
  • Deena Abdelwahed  © Bachir Tayachi
    Deena Abdelwahed © Bachir Tayachi
  • Deena Abdelwahed à l'Espace de projection, Ircam en fête, janvier 2023  © Ircam-Centre Pompidou, photo : Quentin Chevrier
    Deena Abdelwahed à l'Espace de projection, Ircam en fête, janvier 2023 © Ircam-Centre Pompidou, photo : Quentin Chevrier
  • Deena Abdelwahed à l'Espace de projection, Ircam en fête, janvier 2023  © Ircam-Centre Pompidou, photo : Quentin Chevrier
    Deena Abdelwahed à l'Espace de projection, Ircam en fête, janvier 2023 © Ircam-Centre Pompidou, photo : Quentin Chevrier
  • Deena Abdelwahed à l'Espace de projection, Ircam en fête, janvier 2023  © Ircam-Centre Pompidou, photo : Quentin Chevrier
    Deena Abdelwahed à l'Espace de projection, Ircam en fête, janvier 2023 © Ircam-Centre Pompidou, photo : Quentin Chevrier
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