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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Vimala Pons in studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 23.24
    • Season 2023.24
    • Replay: 2022.23 Concerts
    • Seasons from 1996 to present
    • ManiFeste-2023 Website
    • ManiFeste festival from 2012 to 2023
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2023.24
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • Sound spatialization
    • Designing Audio Experiences on the Web
    • Interact, Compose, Improvise with Generative Agents
    • Other training programs
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • Music Doctorate
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2024 Festival Academy
    • 2024 ÉLAN award
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
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  • Dels dos Principis








Thu 20 April 2017,
8 p.m.
National Theater and Concert Hall
Edit
Creation
Performance






Dels dos Principis

Edit






During the Taiwan International Festival of the Arts
Edit






Thanks to Jérôme Thomas, juggling is now recognized in France as a unique and distinct art. Conceptualized for a septet which includes a juggler, Dels dos principis is the fruit of an already established collaboration between the artist and the composer Henry Fourès.

"Through the intervention of music technology and its new tools, the gestural characteristics are translated, manipulated and composed in a veritable chamber music score." Henry Fourès.

Programme

Henry Fourès Dels dos Principisfor juggler, ensemble of 6 musicians (flute, clarinet, piano, percussion, violin, cello) and electronics *
Javier Alvarez Temazcal for maracas
Alexander Schubert Serious Smile
**

With

Jérôme Thomas Juggler
L'Instant donné
*Augustin Muller, **Lorenzo Bianchi, **Benoit Meudic IRCAM Computer-Music Design
Jérémie Henrot
IRCAM Sound Engineer
Frédéric Bevilacqua, Norbert SchnellIRCAM Scientific Advisors (Sound Music Movement Interaction Team – IRCAM STMS)
Emmanuel Fléty, Alain Terrier Conception and Construction of the IRCAM–STMS Augmented Balls
Bernard Revel Lighting Design

Edit
  • Site du Festival de Taïwan
An IRCAM-Centre Pompidou production, an ARMO/Cie Jérôme Thomas coproduction.
  • L'Instant Donné  © Christophe Beauregard
    L'Instant Donné © Christophe Beauregard
  • Jérôme Thomas en studio à l'Ircam © Hervé Véronèse
    Jérôme Thomas en studio à l'Ircam © Hervé Véronèse
  • Jérôme Thomas, Henry Fourès et Augustin Muller en studio à l'Ircam © Hervé Véronèse
    Jérôme Thomas, Henry Fourès et Augustin Muller en studio à l'Ircam © Hervé Véronèse
  • Captation des répétitions de Dels dos Principis
    Captation des répétitions de Dels dos Principis
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