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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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Fri 14 June 2019,
8:30 p.m.
Cité de la musique
Salle des concerts
Prices

Full : 18 €
Discount Price : 15.30 €
ManiFeste & Young Cards : 10 €

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Concert






Création(s) ManiFeste(s)

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Magnus Lindberg, with a world premiere on this evening’s program, has continually developed his relationship with IRCAM and the Ensemble intercontemporain since his Parisian stays in the 1980s. This same type of companionship concerns the two 40-something composers on this evening’s program: Franck Bedrossian and Roque Rivas. Chilean composer living in Paris, Roque Rivas was discovered through the Cursus program at IRCAM with his work Mutations of Matter created with a visual artist from the Fresnoy. An adept of architecture, in Campo abierto sets sounds in space using the model of visual perspective, imagining vanishing points and movements that move away from, or closer to, the listener. Franck Bedrossian—a Parisian living in Berkeley, California—refers to the final words of Arthur Rimbaud’s Vagabonds in which he bitterly evokes certain “brutal vigils” with Verlaine. The score follows the poet’s journeys in Europe and Ethiopia “bound to find the place itself and the code”.

Ensemble intercontemporain
Matthias Pintscher conductor
Augustin Muller IRCAM computer music design

ROQUE RIVAS CAMPO ABIERTO, assistance for the writing of an original musical work from the French Ministry of Culture, Premiere 2019
FRANCK BEDROSSIAN LE LIEU ET LA FORMULE, assistance for the writing of an original musical work from the French Ministry of Culture, commissioned by the Ensemble intercontemporain, Premiere 2019
BENOÎT SITZIA ECHO-MANIFESTE, commissioned by the Ensemble intercontemporain, Premiere 2019
MAGNUS LINDBERG new work, commissioned by the  Ensemble intercontemporain, with the support of the Fondation Meyer, Premiere 2019

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Concert recorded by France Musique and broadcasted on June 26th at 8pm in "Le Concert du soir". An IRCAM-Centre Pompidou, Ensemble intercontemporain, Philharmonie de Paris coproduction.
  • Roque Rivas  None
    Roque Rivas
  • Ensemble intercontemporain  © DR
    Ensemble intercontemporain © DR
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