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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Sivan Eldar in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Creation of interactive environments
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

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  • Tribute to Jean-Claude Risset








Wed 2 May 2018,
8 p.m.
Église Saint-Merry

Prices

Full: 12€
Discount price* : 8€

Tickets available at the doors
Doors open at 7:30pm  

*job seekers, students, and IRCAM card holders

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Creation
Concert






Tribute to Jean-Claude Risset

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Jean-Claude Risset (1938-2016) was both a musician, a renowned pianist, composer and researcher in physical acoustics. A computer music pioneer, he took part in the creation of IRCAM alongside Pierre Boulez and ran the Laboratoire de Mécanique et d’Acoustique du CNRS in Marseille where he was awarded with the CNRS’ highest distinction.

In the 1960s, Jean-Claude Risset created a computer-modelled synthesis of the physics and perception of musical sound with symbolic musical thought and writing of the spaces for pitch and timbre. He was a subtle artist and creative scientist, breathing new life into a tradition that finds its roots in Rameau, the Quadrivium, and Pytagoras.

This concert, performed during the event “Rencontres internationales” organized by the Collegium Musicæ, is as much a tribute to the interdisciplinary research on musical sciences and practices that irrigated Risset’s life as an opening towards the future.

Matteo Cesari flute
Clément Himbert saxophone
Jonathan Prager acousmonium

JEAN-CLAUDE RISSET MUTATIONS
JEAN-CLAUDE RISSET PASSAGES
JOHN CHOWNING PHONÉ
JEAN-CLAUDE RISSET SAXATILE
HORACIO VAGGIONE SHIFTING MIRRORS
JEAN-CLAUDE RISSET SUD

Exhibition at the IRCAM Multimedia Library

In complement to this concert, the IRCAM multimedia library will present a selection of documents curated by François-Xavier Féron from Tuesday, April 24 through Friday, May 18.
IRCAM's multimedia library is open Tuesday through Friday, from 2 to 5:30pm.

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  • http://motus.fr/
  • http://collegium.musicae.sorbonne-universites.fr/
With the support of Motus, musical company.
  • A. McPherson’s Magnetic Resonator Piano at the ExCITe Center, Drexel University (Philadelphia, USA)  © Jeff Joly
    A. McPherson’s Magnetic Resonator Piano at the ExCITe Center, Drexel University (Philadelphia, USA) © Jeff Joly

Also discover

Encounter
Research

Collegium Musicæ International Encounters

2 May to 3 May 2018
Ircam
Jean-Claude Risset: Interdisciplinarity
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