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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Cursus Concert Part 2 - Exclusively online! / ManiFeste-2020








Tue 8 September 2020,
8:30 p.m.
Enregistré au Centre Pompidou, Grande salle
Downloads

programme_cursus_partie2.pdf

Available only on ManiFeste.ircam.fr and Youtube.com/Ircam_paris

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Creation
Concert






Cursus Concert Part 2 - Exclusively online! / ManiFeste-2020

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Premieres 2020
Edit






A new generation of composers have worked with the professional musicians premiering the final projects for this year’s Cursus program. The year for this internationally recognized training in computer music ends with a concert presenting short pieces. It offers a diversity of formats, aesthetic and technological proposals, revealing the variety of sensibilities and musical worlds of artists from Argentina, the United States, France, Greece and Italy, Japan, and Lithuania.

Second part: Tuesday, September 8th, 8:30 p.m.

Oren Boneh
Her Majesty the Fool, for microtonal accordion and electronics
Fanny Vicens accordion

Fernando Manassero
The Moth, for vinyl turntables and electronics
Roberto Maqueda percussion

Paul Ramage
Fragments d’une Fin, for piano CP-80 and electronics
Alvise Sinivia piano

Justina Repečkaitė
Transduced, for 3 snare drums, 1 small cymbal, 1 standing bell, 3 transducers and electronics
Yannick Monnot percussion

Claudia Jane Scroccaro
I sing the body electric, for double bass and electronics
Florentin Ginot double bass 

Educational support Ircam/Simone Conforti, Jean Lochard, Grégoire Lorieux, Mikhail Malt
Composer associated to the Cursus Thierry De Mey

Video production
Année Zéro – Benoît Martin, Guillaume Foresti

Duration : 1h

Edit
An IRCAM-Centre Pompidou production. In partnership with the Haute École de musique de Genève and the Académie supérieure de musique de Strasbourg – Hear. With the support of the Sacem. IRCAM and the Cité internationale des arts are partners for the Cursus composer residences.

Also discover

Concert
Creation

Cursus Concert Part 1 - Exclusively online! / ManiFeste-2020

Monday 7 September 2020
Enregistré au Centre Pompidou, Grande salle
students of IRCAM Cursus program

Cursus Program on Composition and Computer Music

The call for applications for the Cursus program is open until November 8, 2021. Composers, master IRCAM software for musical composition!
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