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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2024.25
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Designing Audio Experiences on the Web
    • Generative AI
    • Sound Design
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

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  • Cursus Concert Part 2 - Exclusively online! / ManiFeste-2020








Tue 8 September 2020,
8:30 p.m.
Enregistré au Centre Pompidou, Grande salle
Downloads

programme_cursus_partie2.pdf

Available only on ManiFeste.ircam.fr and Youtube.com/Ircam_paris

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Creation
Concert






Cursus Concert Part 2 - Exclusively online! / ManiFeste-2020

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Premieres 2020
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A new generation of composers have worked with the professional musicians premiering the final projects for this year’s Cursus program. The year for this internationally recognized training in computer music ends with a concert presenting short pieces. It offers a diversity of formats, aesthetic and technological proposals, revealing the variety of sensibilities and musical worlds of artists from Argentina, the United States, France, Greece and Italy, Japan, and Lithuania.

Second part: Tuesday, September 8th, 8:30 p.m.

Oren Boneh
Her Majesty the Fool, for microtonal accordion and electronics
Fanny Vicens accordion

Fernando Manassero
The Moth, for vinyl turntables and electronics
Roberto Maqueda percussion

Paul Ramage
Fragments d’une Fin, for piano CP-80 and electronics
Alvise Sinivia piano

Justina Repečkaitė
Transduced, for 3 snare drums, 1 small cymbal, 1 standing bell, 3 transducers and electronics
Yannick Monnot percussion

Claudia Jane Scroccaro
I sing the body electric, for double bass and electronics
Florentin Ginot double bass 

Educational support Ircam/Simone Conforti, Jean Lochard, Grégoire Lorieux, Mikhail Malt
Composer associated to the Cursus Thierry De Mey

Video production
Année Zéro – Benoît Martin, Guillaume Foresti

Duration : 1h

Edit
An IRCAM-Centre Pompidou production. In partnership with the Haute École de musique de Genève and the Académie supérieure de musique de Strasbourg – Hear. With the support of the Sacem. IRCAM and the Cité internationale des arts are partners for the Cursus composer residences.

Also discover

Concert
Creation

Cursus Concert Part 1 - Exclusively online! / ManiFeste-2020

Monday 7 September 2020
Enregistré au Centre Pompidou, Grande salle
students of IRCAM Cursus program

Cursus Program on Composition and Computer Music

Next Call for Applications: June 2025 for the 2026–2027 Class
The call for applications for the Cursus program is open until November 8, 2021. Composers, master IRCAM software for musical composition!
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