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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Tablado
    • Musical creation around Outer Space
    • Campo Abierto
    • Musical creation around Dream Work
    • Biotope
    • EROR
    • IDEA
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2021.22
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • Replay: ManiFeste-2022 Concerts
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Cursus Concert Part 1 - Exclusively online! / ManiFeste-2020








Mon 7 September 2020,
8:30 p.m.
Enregistré au Centre Pompidou, Grande salle
Downloads

programme_cursus_partie1.pdf

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Available only on ManiFeste.ircam.fr and Youtube.com/Ircam_paris

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Creation
Concert






Cursus Concert Part 1 - Exclusively online! / ManiFeste-2020

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Premieres 2020
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A new generation of composers have worked with the professional musicians premiering the final projects for this year’s Cursus program. The year for this internationally recognized training in computer music ends with a concert presenting short pieces. It offers a diversity of formats, aesthetic and technological proposals, revealing the variety of sensibilities and musical worlds of artists from Argentina, the United States, France, Greece and Italy, Japan, and Lithuania.

First part: Monday, September 7th, 8:30 p.m.

Antonio Tules 
Vallée, for piano and electronics
Flavien Laffaille piano

Kayla Cashetta
Reach, for soprano and electronics
Mathilde Barthélémy soprano

Ko Sahara 
Paraphrase on “Twinkle, Twinkle, Little Star”, for microtonal accordion and electronics
Jean-Étienne Sotty accordion

Maxime Mantovani 
Existentia, for baritone saxophone, disklavier, real-time video, electro-acoustic apparatus and multitrack medium
Carmen Lefrançois saxophone

Sofia Avramidou 
Keep digging the hare hole, for cello and electronics
Séverine Ballon cello

Educational support Ircam/Simone Conforti, Grégoire Lorieux, Mikhail Malt, Sébastien Naves
Composer associated to the Cursus Thierry De Mey
Artistic advice Laure Gauthier poet

Video production
Année Zéro – Benoît Martin, Guillaume Foresti

Duration : 1h

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An IRCAM-Centre Pompidou production. In partnership with the Haute École de musique de Genève and the Académie supérieure de musique de Strasbourg – Hear. With the support of the Sacem. IRCAM and the Cité internationale des arts are partners for the Cursus composer residences.

Also discover

Creation
Concert

Cursus Concert Part 2 - Exclusively online! / ManiFeste-2020

Tuesday 8 September 2020
Enregistré au Centre Pompidou, Grande salle
students of IRCAM Cursus program

Cursus Program on Composition and Computer Music

The call for applications for the Cursus program is open until November 8, 2021. Composers, master IRCAM software for musical composition!
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