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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Generative AI
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
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  • Solo and amplification workshop performance








Sat 22 June 2024,
7 p.m.
Ircam
Espace de projection
Downloads

programme_concert_atelier_solo_ampli.pdf

Prices

Free entry, limited seats available

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Creation
Concert






Solo and amplification workshop performance

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ManiFeste-2024 Academy
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Anthony Millet accordion, Alain Billard clarinet, Hae-Sun Kang violin
Francesca Verunelli educational advisor
Claudia Jane Scroccaro, Rémi Le Taillandier, Sébastien Naves IRCAM educational advisor
Alan Blum École nationale supérieure Louis-Lumière educational advisor
Sylvain Cadars IRCAM sound diffusion
Chadoh Dick, Valentine Grosjean, Séverin Magguilin, Lena Sipili, recording of the concert by the students from the l’École nationale supérieure Louis-Lumière

Premieres by student composers Nik Bohnenberger, Bo Huang, Jaeduk Kim, Geli Li, Matthew Monaco, Felix Röme

The Espace de projection, which has the architectural distinction of being built 16 meters below the place Stravinksy, is not accessible to people with reduced mobility.
We apologize for any inconvenience.

Edit
Coproduction IRCAM-Centre Pompidou, Ensemble intercontemporain, ensemble associated with the Academy In partnership with the École nationale supérieure Louis-Lumière.
  • La compositrice Francesca Verunelli, encadrante pédagogique de l'atelier  None
    La compositrice Francesca Verunelli, encadrante pédagogique de l'atelier
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