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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Rendez-vous in Paris
  • Concert de l'atelier des musiques électroacoustiques








Sat 29 June 2019,
3 p.m.
Centre Pompidou
Petite salle
Downloads

programme_atelier_electroacoustique.pdf

Free entry, limited seats available.

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Creation
Concert






Concert de l'atelier des musiques électroacoustiques

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Academy
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The Mixed Music Program lets students from the Pôle supérieur d’enseignement artistique Aubervilliers-La Courneuve- Seine-Saint-Denis Île-de-France otherwise known as the “Pôle Sup’93”, and future computer music designers to be faced with the tangible reality of a work with electronics in a setting with the all the demands of a professional situation.

Students from the Pôle Sup’93 as a part of the Mixed Music Program Pôle Sup’ 93/IRCAM
Simone Conforti, Marco Liuni IRCAM educational advisors
Matteo Cesari Pôle Sup’93 educational advisor
Ariadna Alsina Tarrés, Xavier Chabot, José-Miguel Fernandez, Marta Gentilucci, Thomas Goepfer, Nicolas Tzortzis IRCAM computer music design
Computer music control by the academy students
Lee Gilboa (Israel), Nathaniel Haering (United States), Mathieu Lacroix (Canada), Theocharis Papatrechas (Greece), Garling Wu (New Zealand)

MARTA GENTILUCCI AUF DIE LIDER
KAIJA SAARIAHO NOANOA
NICOLAS TZORTZIS INCOMPATIBLE(S) IV
ARIADNA ALSINA TARRÉS L’AIR CASSÉ DE LA CARAPACE
GEORGIA SPIROPOULOS ROLL…N’ROLL…N’ROLL

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Coproduction IRCAM-Centre Pompidou, Pôle Sup’93.
  • Marta Gentilucci  None
    Marta Gentilucci
  • Kaija Saariaho  © Priska Ketterer
    Kaija Saariaho © Priska Ketterer
  • Nicolas Tzortzis  © DR
    Nicolas Tzortzis © DR
  • Ariadna Alsina Tarrès  © JR, 2016
    Ariadna Alsina Tarrès © JR, 2016
  • Georgia Spiropoulos  © Irini Zevgoli
    Georgia Spiropoulos © Irini Zevgoli
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