• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Sivan Eldar in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 25.26
    • 2025-2026
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2025
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Creation of interactive environments
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2026 Festival Academy
    • In Situ Dance Film Composition
    • In Situ Electronic Composition
    • Solo and electronics
    • 2026 Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
    • Softwares
    • Ircam Amplify
    • Innovative art-science-technology processes
    • Forum Vertigo
  • IRCAM
  • Careers & Job Offers
  • Calls for applications
  • Newsletter
  • Arrive
  • Resource Center
  • News
  • login
  • En
  • Fr
  • IRCAM
  • Careers & Job Offers
  • Calls for applications
  • Newsletter
  • Arrive
  • Resource Center

Fr | En

  • login
  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Sivan Eldar in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 25.26
    • 2025-2026
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2025
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Creation of interactive environments
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2026 Festival Academy
    • In Situ Dance Film Composition
    • In Situ Electronic Composition
    • Solo and electronics
    • 2026 Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
    • Softwares
    • Ircam Amplify
    • Innovative art-science-technology processes
    • Forum Vertigo
  • Home
  • Rendez-vous in Paris
  • Coding the World 2








Sat 16 June 2018,
11 a.m.
Centre Pompidou
Petite salle

Free entry, limited seats available.

Edit
Research
Encounter






Coding the World 2

Edit






As a part of the Forum Vertigo: Code-Decode the World
Edit






11am – Presentation of the Exhibition « Coder le monde »

By its curators: Frédéric Migayrou, curator, Camille Lenglois, assistant curator
and the timeline supervisons:  Moreno Andreatta, music timeline supervisor, Emmanuel Cyriaque, litterature timeline supervisor, Olivier Zeitoun, dance timeline supervisor

Noon – Présentation of the Exhibition « Ryoji Ikeda »

By its curator, Marcella Lista (to be confirmed: in presence of the artist)

14h30 | Code and Literature

Led by Emmanuel Cyriaque, Litterature timeline supervisor of the exhibition « Coder le Monde », Director of éditions HYX
With Emmanuel Guez, Artist, Philosopher and Mediarcheologist
Nick Montfort, Poet and Professor of Digital Media at MIT
Jörg Piringer, Performance Artist
Beat Suter, Director of GameLab and Professor at the Université des Arts, Zürich – Game Design Section

Following up on the historical avant-gardists who problematized the notion of writing and inscription, the authors find, in the computer, an instrument for formalization enabling a liberation of relations between signs and meaning. From the first texts generated by computer (Théo Lutz, Nanni Baslestrini) to animated digital poetry, from hypertext to multiple Internet experiments, today new forms of writing and reading question text and literature in the era of hypermedia.

4pm | Architecture and Design

Led by Frédéric Migayrou, Deputy Director of Industriak Creation, Musée national d’art moderne, Centre Pompidou
With John Frazer, Professor in Design and Architecture, Universities of Ulster and Hong Kong
Winy Maas, Architect and Urban Planner, Co-Founder of MVRDV
Adrien Ravon, Teacher and Researcher, Delft University of Technology, Faculty of Architecture
Andrew Witt, Architect and Co-Founder of Certain Measures

Beginning in the 80s, continuing the pioneering work of the engineers Pierre Bézier and William Fetter for industry, the apparition of programs like Form Z and Catia were the basis for the understanding of digital morphologies initiated by architects such as Cédric Price, John Frazer, Peter Eisenman, Frank Gehry, and Greg Lynn. New processes of digital design creating original and revolutionary structures where multi-agent algorithms code geometry and topology via complex and variable functions.

6pm | Visual Arts, Music, and Interaction

Led by Emmanuel Mahé, Director of Research at EnsAD
With Natasha Barrett, Composer
Mark Downie, Digital Artist, OpenEndedGroup
Driessens & Verstappen, Artists
Jean-Louis Giavitto, Director of Research at the CNRS, Deputy Director of the UMR IRCAM-STMS
Olga Kisseleva, Artist
Nicolas Maigret et Maria Roszkowska, Artists, Collectif Disnovation.Org
Sébastien Noël, Artist, Collectif Troïka

The digital discretization of space based on pixels and voxels has led to a critical examination and radial modernism that opens a huge field for research and artistic expression, blurring scales and reorganizing forms from the infinitesimally small to the infinitely large.  Digital creations materialize in an immersive space; equipped with interactive controls, they question the representation and writing of space and time, in both their visual and sonic components.

Edit
Ircam

1, place Igor-Stravinsky
75004 Paris
T. +33 1 44 78 48 43
Opening times

Monday through Friday 9:30am-7pm Closed Saturday and Sunday
Subway access

Hôtel de Ville, Rambuteau, Châtelet, Les Halles
  • Jobs Offers & Internships
  • Accessibility
  • The IRCAM team
  • Partners
  • Support IRCAM
Institut de Recherche et de Coordination Acoustique/Musique

go to :
  • Centre Pompidou
  • General Conditions
  • Legal Notes
  • Espace Pro
Copyright © 2025 Ircam. All rights reserved.