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    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Generative AI
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
    • Softwares
    • Ircam Amplify
    • Innovative art-science-technology processes
    • Forum Vertigo
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  • Bartabas, entretiens silencieux








July 14 through Wed 28 July 2021,
11 a.m.
Château de Versailles
Manège de la Grande Écurie
Prices

Full price : 28 €
Discount Price : 25 €

Information on new dates and box office : zingaro.fnacspectacles.com

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Creation
Théâtre






Bartabas, entretiens silencieux

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dans le cadre du Festival Paris l’été 2021 et de la 49e édition du Festival d’Automne à Paris
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"Walking is the mother of all gaits, and silence, air for those who want to learn. Your song resounds from ear to hoof, your whole being is a symphony that I have learned to listen to. " In his book D'un cheval l'autre, Bartabas evokes the "Silent Talks" he has with his horse, Tsar.

Attaching a microphonic device and various sensors to the horse's body, the animal's step, breath and respiration nourish a sonic narrative generated in real-time—in space and with adventure—which serves as the music for this fascinating choreographic duo. "Now, I would simply like to show a man and a horse who, in silence, seek each other out, listen to each other, and learn from each other."

Bartabas scenography, design and stage direction
Manuel Poletti creation and IRCAM sound setting design
Paul Boulier, Clément Cerles IRCAM sound engineers
With Bartabas and his horse Tsar

Bartabas, Entretiens silencieux (Silent Talks)
Théâtre équestre -Premiere 2020


Bartabas et son cheval Tsar © Franck Fokerman

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  • https://www.festival-automne.com/edition-2020/bartabas-entretiens-silencieux
Production Théâtre équestre Zingaro. IRCAM – Centre Pompidou coproduction. The Théâtre équestre Zingaro supported by the Ministère de la Culture, DRAC Île-de France, Région Île-de France, Conseil Départemental de Seine-Saint-Denis et la ville d’Aubervilliers.
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