• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
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  • Bartabas, entretiens silencieux








July 14 through Wed 28 July 2021,
11 a.m.
Château de Versailles
Manège de la Grande Écurie
Prices

Full price : 28 €
Discount Price : 25 €

Information on new dates and box office : zingaro.fnacspectacles.com

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Creation
Théâtre






Bartabas, entretiens silencieux

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dans le cadre du Festival Paris l’été 2021 et de la 49e édition du Festival d’Automne à Paris
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"Walking is the mother of all gaits, and silence, air for those who want to learn. Your song resounds from ear to hoof, your whole being is a symphony that I have learned to listen to. " In his book D'un cheval l'autre, Bartabas evokes the "Silent Talks" he has with his horse, Tsar.

Attaching a microphonic device and various sensors to the horse's body, the animal's step, breath and respiration nourish a sonic narrative generated in real-time—in space and with adventure—which serves as the music for this fascinating choreographic duo. "Now, I would simply like to show a man and a horse who, in silence, seek each other out, listen to each other, and learn from each other."

Bartabas scenography, design and stage direction
Manuel Poletti creation and IRCAM sound setting design
Paul Boulier, Clément Cerles IRCAM sound engineers
With Bartabas and his horse Tsar

Bartabas, Entretiens silencieux (Silent Talks)
Théâtre équestre -Premiere 2020


Bartabas et son cheval Tsar © Franck Fokerman

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  • https://www.festival-automne.com/edition-2020/bartabas-entretiens-silencieux
Production Théâtre équestre Zingaro. IRCAM – Centre Pompidou coproduction. The Théâtre équestre Zingaro supported by the Ministère de la Culture, DRAC Île-de France, Région Île-de France, Conseil Départemental de Seine-Saint-Denis et la ville d’Aubervilliers.
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