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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Bal passé








Wed 26 June 2019,
8:30 p.m.
Maison de la musique de nanterre
Downloads

programme_balpassee.pdf

Prices

Full : 24 €
Discount Price : 14 €
ManiFeste & Young Cards : 10 €

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Creation
Concert






Bal passé

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Multimedia Concert
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A multimedia concert featuring the accordion, Bal Passé looks back at popular events with a new creation. The ball opens with a recent work for accordion and electronics by the Spanish composer Carlos de Castellarnau who has made the ogre-like power of the instrument growl. Then, Ça tourne ça bloque by Ondřej Adámek, carries us to a round in the Land of the Rising Sun, combining sampled French-Japanese vocal loops with acoustic games. The evening switches over to a synesthetic afterparty with Tablado, a creation by the Franco-Brazilian composer  Januibe Tejera. The nine musicians TM+ wander, appear, and disappear at the discretion of the lights and video projections by Claudio Cavallari.

Fanny Vicens accordion
Ensemble TM+
Laurent Cuniot conductor
Januibe Tejera artistic direction, musical composition, set design
Claudio Cavallari video and interactive light creation, set design
Jérôme Bertin lighting design
David Fierro, Lenaïc Pujol interactive lighting system
Carlos de Castellarnau, Carlo Laurenzi IRCAM computer music design

CARLOS DE CASTELLARNAU NATURA MORTA
ONDREJ ADÁMEK ÇA TOURNE, ÇA BLOQUE
JANUIBE TEJERA TABLADO, commissioned by IRCAM-Centre Pompidou and TM+ funded by the Ernst von Siemens foundation for music, Premiere 2019

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Coproduction TM+, Maison de la musique de Nanterre, IRCAM-Centre Pompidou.
  • Bal passé  © Januibe Tejera et Claudio Cavallari
    Bal passé © Januibe Tejera et Claudio Cavallari
  • Ensemble TM+  © Guillaume Chauvin
    Ensemble TM+ © Guillaume Chauvin

3 reasons to go to Bal Passé : Interview with Januibe Tejera

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