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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • B-Partita (in memoriam Pierre Boulez)








Wed 3 October 2018,
7:30 p.m.
Arsenale - Alle Tese Theatre
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Creation
Concert






B-Partita (in memoriam Pierre Boulez)

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Biennale de Venise
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Pierre Boulez often reworked his own pieces, producing a latent idea and an unexpected extension of the original "indestructible core". As a tribute to Pierre Boulez, Philippe Manoury has reworked one of his own pieces, la Partita for violin and electronics from 2012, including instrumental sections. Multiple meters exist simultaneously as does a dialogue between the soloist and the electronics. A real and virtual performance via technology.

Ensemble Linea
Laurent Camatte
alto
Antoine Pecqueur bassoon
Andrea Nagy clarinet
Sven Bodo Kestel double bass
Deepa Goonetilleke horn
Keiko Murakami, Déborah Broggia flute
Geneviève Letang harp
Heidi Braesch oboe
Marin Lambert, Victor Hocquet percussion
Reto Staub piano
Thierry Spiesser trombone
Marco Fusi, Winnie Huang violin
Johannes Burghoss, Elsa Dorbath cello
Hae-Sun Kan violon
Jean-Philippe Wurtz conductor
Serge Lemouton IRCAM computer music design

BRIAN FERNEYHOUGH LIBER, SCINTILLARUM
PHILIPPE MANOURY 
B-PARTITA (in memoriam Pierre Boulez) 
pour violon, ensemble et électronique 
G FRIEDRICH HASS
ANACHRONISM
TRISTAN MURAIL LE LAC
CHAYA CZERNOWIN
LOVESONG

The concert will be introduced by a talk with the artists at 7:30 pm

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  • Ensemble Linea © DR
    Ensemble Linea © DR
  • Ensemble Linea © DR
    Ensemble Linea © DR
  • Philippe Manoury © Philippe Stirnweiss
    Philippe Manoury © Philippe Stirnweiss
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