• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Generative AI
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
    • Softwares
    • Ircam Amplify
    • Innovative art-science-technology processes
    • Forum Vertigo
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  • Anima™








September 29 through Sat 30 September 2023,
8 p.m.
PACT Zollverein
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Creation
Performance






Anima™

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Alexander Schubert one of today's leading young artists in Germany, is also one of the most adept at bringing technology to the stage. Schubert has incorporated advances in artificial intelligence, explored over the past eighteen months with researchers at IRCAM. Anima™, his multimedia theater, is the name of an institution where visitors come into contact with their past and probable future. The interpreters, "patients" of this institute, obey a scenario delivered in real time. Everything has been developed from the real data of the performers from the Decoder Ensemble, in a continuous process of transformation and alienation. The characteristic features of the emotion, the genre, the affects will be varied and will generate artificial avatars. Through AI neural networks, classes and groups of individuals with the same properties are extracted to produce new entries: atypical, unexpected, fascinating results.

Anima™ is not just another survivalist fiction: it is about thinking of technology as the ultimate tool for introspection, rich with a thousand possibilities and a thousand dangers.

Alexander Schubert artistic direction, composition - German Premiere
Commissioned by IRCAM-Centre Pompidou
Decoder Ensemble
Leopold Hurt, Andrej Koroliov, Jonathan Shapiro
Ines Assoual, Si-Ying Fung, Stefanie Inhelder, Guy Marsan 
dance
Thomas Goepfer IRCAM 
computer music design
Dionysios Papanikolaou 
IRCAM electronics
Antoine Caillon, Philippe Esling 
(Musical Representations team), Nicolas Obin, Axel Roebel, Léane Salais (Sound Analysis-Synthesis team) IRCAM-STMS scientific collaboration
Luca Bagnoli 
IRCAM sound diffusion
Patricia Carolin Mai 
choreography
Lucas Gutierrez 
video design
Stefan Britze 
set design
Felina Levits 
costume design
Diego Muhr 
lighting design
Lise Herdam 
assistant choreography
Michael Brailey 
assistant text

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  • https://www.pact-zollverein.de
A Decoder Ensemble production. Coproduction IRCAM/Les Spectacles vivants-Centre Pompidou, Kampnagel Hamburg, Kunstfest Weimar, Lichthof Theatre, Hochschule für Musik und Darstellende Kunst Hamburg. With the support of Darstellende Künste funded by the federal commission for culture and media and the Culture and Medias Ministry Hamburg, Elbkulturfonds, Impuls Neue Musik, Rudolf Augstein Stiftung, Hamburgische Kulturstiftung, from the ULYSSES network, supported by the European Union’s Europe Creative program, and the Goethe-Institut Paris
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