• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Vimala Pons in studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 23.24
    • Season 2023.24
    • Replay: 2022.23 Concerts
    • Seasons from 1996 to present
    • ManiFeste-2023 Website
    • ManiFeste festival from 2012 to 2023
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2023.24
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • Sound spatialization
    • Designing Audio Experiences on the Web
    • Interact, Compose, Improvise with Generative Agents
    • Other training programs
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • Music Doctorate
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2024 Festival Academy
    • 2024 ÉLAN award
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
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  • Anima™








September 29 through Sat 30 September 2023,
8 p.m.
PACT Zollverein
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Creation
Performance






Anima™

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Alexander Schubert one of today's leading young artists in Germany, is also one of the most adept at bringing technology to the stage. Schubert has incorporated advances in artificial intelligence, explored over the past eighteen months with researchers at IRCAM. Anima™, his multimedia theater, is the name of an institution where visitors come into contact with their past and probable future. The interpreters, "patients" of this institute, obey a scenario delivered in real time. Everything has been developed from the real data of the performers from the Decoder Ensemble, in a continuous process of transformation and alienation. The characteristic features of the emotion, the genre, the affects will be varied and will generate artificial avatars. Through AI neural networks, classes and groups of individuals with the same properties are extracted to produce new entries: atypical, unexpected, fascinating results.

Anima™ is not just another survivalist fiction: it is about thinking of technology as the ultimate tool for introspection, rich with a thousand possibilities and a thousand dangers.

Alexander Schubert artistic direction, composition - German Premiere
Commissioned by IRCAM-Centre Pompidou
Decoder Ensemble
Leopold Hurt, Andrej Koroliov, Jonathan Shapiro
Ines Assoual, Si-Ying Fung, Stefanie Inhelder, Guy Marsan 
dance
Thomas Goepfer IRCAM 
computer music design
Dionysios Papanikolaou 
IRCAM electronics
Antoine Caillon, Philippe Esling 
(Musical Representations team), Nicolas Obin, Axel Roebel, Léane Salais (Sound Analysis-Synthesis team) IRCAM-STMS scientific collaboration
Luca Bagnoli 
IRCAM sound diffusion
Patricia Carolin Mai 
choreography
Lucas Gutierrez 
video design
Stefan Britze 
set design
Felina Levits 
costume design
Diego Muhr 
lighting design
Lise Herdam 
assistant choreography
Michael Brailey 
assistant text

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  • https://www.pact-zollverein.de
A Decoder Ensemble production. Coproduction IRCAM/Les Spectacles vivants-Centre Pompidou, Kampnagel Hamburg, Kunstfest Weimar, Lichthof Theatre, Hochschule für Musik und Darstellende Kunst Hamburg. With the support of Darstellende Künste funded by the federal commission for culture and media and the Culture and Medias Ministry Hamburg, Elbkulturfonds, Impuls Neue Musik, Rudolf Augstein Stiftung, Hamburgische Kulturstiftung, from the ULYSSES network, supported by the European Union’s Europe Creative program, and the Goethe-Institut Paris
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