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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • AN EXPERIMENT WITH TIME








November 1 through Sun 4 November 2018,
7 p.m.
Donnersberghalle - Rockenhausen
Edit
Creation
Exhibit






AN EXPERIMENT WITH TIME

Edit






 An Experiment With Time

Audio & Visual Installation
John W. Dunne, an aeronautical engineer, philosopher, and fly-fishing lover, published An Experiment with Time in 1927. The installation makes it possible for the past and the future to coexist, premonitory dreams and dreams that refer to neither memories nor anticipation. Marked by this offbeat endeavor, the Italian composer Daniele Ghisi has taken off in this curious time-dilating machine. Through the use of aliases projected on screens and electronic databases, several different series nest together in his installation: a day, a year, and a lifetime considered to be a polyrythm.

DANIEL GHISI AN EXPERIMENT WITH TIME installation: sound, video, animation
Commissioned by IRCAM-Centre Pompidou and the Divertimento ensemble
Inspired by the eponymous book by John W. Dunne

Video
Daniele Ghisi, Luigi Acerbi, Paolo Puggioni Storyline and script
Maryam Babaei script assistant
Luca Morino video assistant 
Davide Bordogna graphic advisor
The Experiment cards are drawn by Luca Nava
Julien Reis IRCAM video technician

 Photo credits
Miroslav Barták, From Old Books, Karl Jahnke
Copies of the Illustrated London News shoLondon News/Mary Evans Picture Library

Audio credits
Tebblofang, empraetorius, HollowRiku, lucaslara, nebulousflynn, exterminat, Omar Alvarado, RutgerMuller, Runey, SunnySideSound

Additional thanks to
Carlos Agon, Mattia Bergomi, Sylvain Cadars, Aaron Einbond, Carla and Giorgio Felotti, Maria Giulia Ganassini, Jean-Louis Giavitto,  Boris Labbé, Virgilio Maffeis and family, Yann Philippe, Andrea Rota, Christopher Trapani, Paul Slocum et Vincenzo Picariello

Sound and visual installation as part of the exhibition "Coder le monde" from June 15 to August 27, 2018 at the Center Pompidou.

Edit
An IRCAM-Centre Pompidou production. With the support of the Sacem and the ULYSSES network. This project was funded through the support of the European Commission.
  • An Experiment With Time  © Daniele Ghisi
    An Experiment With Time © Daniele Ghisi
  • Daniel Ghisi  © Bernard Clerc-Renaud/Musica Nova
    Daniel Ghisi © Bernard Clerc-Renaud/Musica Nova
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