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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
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  • Aliados "un opéra du temps réel








Sat 6 October 2018,
8 p.m.
Théâtre Carlo Goldoni
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Creation
Opera






Aliados "un opéra du temps réel

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Venice Biennale
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“We’re also very much aware that it’s you who brought democracy to Chile” said Lady Thatcher when she invited the senator Augusto Pinochet to tea in London in 1999, sparing not the slightest compliment for the man who would soon have to stand trial for his crimes. Following the example of Nixon in China by John Adams, the opera Aliados inspired by political history, in this case by the Falklands War in 1982 and the improbable alliance of the Iron Lady, champion of liberalism, with the Chilian general during the Cold War. The failing memories of the two aged leaders retired from roles of power, revealing archives, and collective history are at the heart of this project by Sebastian Rivas and Esteban Buch, two Argentineans looking back at a decisive event for their generation and their identity. On the theater stage, designed by Antoine Gindt to look like the set of a television program, reality strikes through visual manipulation and stylized singing. An opera in real-time in every sense of the word; historical time and computer time.

SEBASTIAN RIVAS ALIADOS commissioned by the French governement

Ensemble multilatérale
Nora Petročenko
mezzosoprano
Lionel Peintre baritone
Mélanie Boisvert soprano
Thill Mantero baritone
Richard Dubelski actor and musician
Fanny Brouste costumes
Daniel Levy lighting
Julien Ravoux assistant live filming
Élise Capdenat stage design
Élodie Brémaud assistant director 
Olivier Pasquet IRCAM Computer Music Production
Robin Meier IRCAM Computer Music Design

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  • Sebastian Rivas  © DR
    Sebastian Rivas © DR
  • Augusto Pinochet et Margaret Thatcher en 1990. © Jones, L.R.C., Sipa
    Augusto Pinochet et Margaret Thatcher en 1990. © Jones, L.R.C., Sipa
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