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    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Generative AI
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
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  • Alan T








Tue 7 May 2024,
8 p.m.
La Criée – Théâtre national de Marseille, Salle Déméter
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Creation
Performance






Alan T

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As part of the Propagations festival

Mathematician and genius cryptographer, unsung hero of the Second World War, father of modern computing, victim of homophobic persecution... Alan Turing is a remarkable figure of the 20th century and the center of Pierre Jodlowski's dramatic creation, based on a libretto by the German writer Frank Witzel. A singer, an actor, five musicians, an audiovisual system: these figures participate in the dramaturgy inspired by a dazzling existential and scientific trajectory, in a virtually psychoanalytical form. How to stage the life of a researcher, passionate about mathematics and life, who preceded the decisive discoveries on DNA? This show offers a kaleidoscopic and multiple experience on Alan Turing, using audiovisual transformation mechanisms developed at IRCAM.

Multidisciplinary performance inspired by the life of mathematician Alan Turing 

Pierre Jodlowski conception, music, set design
Frank Witzel libretto
Claire Saint-Blancat scenography
Martina Stütz dramaturgy
Joanna Freszel soprano
Thomas Hauser actor
Nadar Ensemble
Yann Philippe, Matthieu Guillin live cameras
Kamil Keska sound
Manuel Poletti IRCAM electronics
Claire Daulion construction
Olivier Mannoni translation

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  • https://theatre-lacriee.com/programmation/evenements/alan-t
Executive producer Compagnie éOle – création musicale et pluridisciplinaire. Co-commande Compagnie éOle, IRCAL-Centre Pompidou, Philharmonie de Paris. Coproduction IRCAM-Centre Pompidou, SWR Classic – Donaueschinger Musiktage, Warsaw Autumn Festival, Music Centre De Bijloke (Gand). Organised in collaboration with Adam Mickiewicz Institute, ministère de la Culture et du Patrimoine national de la République de Pologne. With the support of the Sacem, the CNM, the Fonds franco-germano-suisse pour la musique contemporaine / Impuls neue Musik, de la Communauté flamande, de Bureau Export, d'Occitanie en Scène, d'Odyssud Ville de Blagnac, de la DRAC Midi-Pyrénées, de la Région Occitanie, de la Ville de Toulouse et du Conseil général de la Haute-Garonne.
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