• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, ...

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

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    • ManiFeste-2021, l'Académie
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, ...

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Silent Talks
    • Music-Fictions
    • Tablado
    • Musical creation around Outer Space
    • Campo Abierto
    • Musical creation around Dream Work
    • Biotope
    • EROR
    • IDEA
    • Strings in the air with feet over the floor (an exhibition to listen to)
    • ON AIR
    • Artistic Research Residency
    • Rendez Vous 20.21
    • Edito
    • Seasons archives
    • The ManiFeste festival
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2020.21 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 Transposition and Stretching
    • Spatialisator and Spat Revolution
    • Sensors, Interfaces, and Interactive Machine Learning
    • Designing Audio Experiences on the Web
    • Other training programs
    • 'A la carte' training
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Art School Reserach and Creation Workshop
    • Images of a Work Collection
    • ManiFeste-2021, l'Académie
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
    • Softwares
    • Ircam Amplify
    • Industrial Applications
    • Industrial Licenses
    • Forum Vertigo
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Creation

Hotel "AntiOedipus" [live]

Wednesday 3 March 2021
A digital game of identities for avatars and solitary individuals across the globe
Article

Replay : Forum Vertigo 2017 - Espace simulé et formes du digital

In 2017, the first edition of the Vertigo Forum examine the themes of architecture and 3D design, simulation and virtual reality, makers, design and morphogenesis. All the videos are online!
Creation

Traces of Antigone [live]

Wednesday 3 March 2021
Performance numérique interactive
Article

Replay: Forum Vertigo 2019 “Designing the Living”

The third edition of the Forum Vertigo, held March 27—30, 2019 at the Centre Pompidou, is dedicated to artistic and societal issues surrounding biotechnologies. The entire event is available on replay.
Article

Replay: Forum Vertigo 2020 “Artificial Intelligence and Artistic Creation”

Tune in to our YouTube channel to relive the panel discussions and debate!
Article

Ars Electronica 2020

IRCAM AIxMusic garden: multidisciplinary views of both the scientific and creative research carried out on AI.
Article

Patrik Schumacher: How do you use AI in your work

Patrik Schumacher is an architect, director of Zaha Hadid Architects in London, and co-director of AI Design Research Lab at the Architectural Association School of Architecture
Article

André Manoukian: How do you use AI in your work?

André Manoukian is a composer. He uses artificial intelligence for the algorithms of his compositions, for his start-up MatchTune and also when he's using MAO (computer-assisted music).
Article

Pierre Cutellic: How do you use AI in your work?

Pierre Cutellic is a trained architect and designer. He is currently conducting research as a PhD fellow at the Chair of Computer-Aided Architectural Design, Institute of Technology for Architecture, ETH Zürich 2016.
Article

Jean-Gabriel Ganascia: How do you use AI in your work?

Jean-Gabriel Ganascia is a professor of computer science at the faculty of science of Sorbonne Université and researcher in artificial intelligence at LIP6 (Paris VI computer science laboratory).

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