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    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Sivan Eldar in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 25.26
    • 2025-2026
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2025
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Creation of interactive environments
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2026 Festival Academy
    • In Situ Dance Film Composition
    • In Situ Electronic Composition
    • Solo and electronics
    • 2026 Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
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    • Ircam Amplify
    • Innovative art-science-technology processes
    • Forum Vertigo
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  • Panoramix






    Panoramix

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    Panoramix is a post-production workstation for 3D-audio contents. This tool offers a comprehensive environment for mixing, reverberating, and spatializing sound materials from different microphone systems: main tree, spot microphones, Higher Order Ambisonics capture. Several 3D spatialization techniques (VBAP, HOA, binaural) can be combined and mixed simultaneously in different formats. Panoramix also provides conventional features found in other mixing tools (equalizer, compressor/expander, grouping parameters, routing of input/output signals, etc.), and it can be controlled entirely via the Open Sound Control protocol.

    Like a traditional mixing desk, the panoramix interface is designed as vertical strips (see Figure) which are organized in two main categories: input tracks and busses.

    Tracks are used to process signals from a recording session. Panoramix supports several input formats: mono (typically from a spot microphone or an electronic track), multi (a multitrack is basically a grouping of several mono tracks), SMA (used to process recordings from a spherical microphone array like the EigenMike), or tree (used to process a main microphone tree).

    Three types of busses are available: a panning bus, a reverb bus, and the LFE (low frequency enhancement) bus. The purpose of the panning bus is threefold: 1) it allows for the summation of multiple input tracks, 2) it determines the spatialization technique (VBAP, HOA, or binaural) being rendered, 3) it provides various settings for the encoding and decoding of the signals (e.g. HOA decoder settings or HRTF attributes in the case of binaural reproduction).The reverberation busses create and control the late/diffuse sections of the artificial reverberation. The current version implements a feedback delay network.

    Finally, all the output signals from all the busses are collected in the master strip and then sent to panoramix’s physical outputs or bounced to disk. While each session only has one master track, it is possible to create mixes in several formats simultaneously.

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