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01'30 in Stravinsky with Gérard Biau, professor at Sorbonne-University and director of SCAI (Sorbonne Center for Artificial Intelligence) for the launching of the French version of the platform 'El...

Anne de Fornel is a Franco-American pianist, musicologist, and scholar associated with the Centre de recherche sur les arts et le language.

Retour sur la présence de Nicolas Becker, bruiteur, compositeur et designer sonore de nombreux films au Sound Design Days (novembre 2019).

Retour sur la présence de Saran Diakité Kaba, responsable des interactions Homme-machine et de synthèse cockpit (PSA Peugeot-Citroen), au Sound Design Days (novembre 2019)

The first edition of Sound Design Days examined today’s practices in sound design with a particular focus on the work carried out for cinema, animation, and video games. Denis Lavant was one ...

For two days, researchers, artists and historians explored  how music and performing arts can be used as tools to imagine ecological transition and/or new worlds.

Philippe Esling explains the ACTOR Project. On June 22, a workshop explored the future of orchestration as an art form, research discipline, and space for development of new computer tools.

These days in June gathered together mathematicians, musicians, philosophers, and the author to formulate their own hypothesis in the shadow of their reading of the contemporary in the 21st century...

Karim Haddad presented his doctoral thesis work in May 2019. He conducted his research in the Musical Representations Team (STMS - IRCAM/CNRS/Sorbonne Université/Ministère de la Cultu...

Céline Jacques defended his PhD thesis in April 2019: "Automatic learning methods for automatic drum transcription".

Invited by the Perception and Sound Design Team and Analysis of Musical Practices Team (STMS - IRCAM), Samuel Mehr, researcher associate in the Department of Psychology at Harvard University, prese...

The composer Georgia Spiropoulos presents her new work, EROR (the pianist), with Benjamin Lévy, computer music designer.