The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…
IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.
In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.
Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.
The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…
IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.
In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.
Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.
The 4th edition of the Forum Vertigo took place on February 26 & 27, 2020 at the Centre Pompidou, with the theme "Artificial Intelligence and Artistic Creation". Tune in to our YouTube channel to relive the panel discussions and debate.
Introduction and presentation of the exhibition "Neurones, simulated intelligence"
with Camille Lenglois, Frédéric Migayrou, and Hugues Vinet
Watch the discussion (in French)
The architecture and formalization of digital models
with Refik Anadol, Roberto Bottazzi, Philippe Morel, Patrik Schumacher, Daito Manabe, Andrew Witt, and François Migayrou
Watch the discussion (in French - from 00:30:52)
Limitations and potentials of artificial intelligence
with Robbie Barrat, Ronan Barrot, Mario Klingemann, Lu Yang, Jonas Lund, Stéphane Mallat, Anna Ridler, Frédéric Migayrou, and Camille Lenglois
Watch the discussion (in French)
Debate: Towards a humanized AI?
with Laurence Devillers, Jean-Gabriel Ganascia, Jim Kurose, André Manoukian, Richard Frackowiak, and Raphaël Bourgois
Watch the discussion (in French - from 02:01:47)
Impasses and the future of cybernetics
with Pierre Cassou-Nougès, Paul Pangaro, Daniel Parrochia, Andrew Pickering, Margit Rosen, and Frédéric Migayrou
Watch the discussion (in French)
Human and artificial perception
with Matthieu Cord, Pierre Cutellic, Maxime Matthys, Mariano Sardon, Diemut Strebe, and Hugues Vinet
Watch the discussion (in French)
Musical generativities
with Douglas Eck, Erin Gee, Giulia Lorusso, Alessandro Rudi, Jérôme Nika, Alexander Schubert, and Hugues Vinet
Watch the discussion (in French - from 1:30:24)
Dance between the living and the artificial
with Frédéric Bevilacqua, Justine Emard, Eric Minh Cuong Castaing, Damien Henry, Christian "Mio" Loclair, Alexander Whitley, and Sarah Fdili Alaoui
Watch the discussion (in French)
Subtitles coming soon