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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Verzeichnete Spur








Sun 20 January 2019,
4 p.m.
Boulez Saal Berlin
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Creation
Concert






Verzeichnete Spur

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In this work Verzeichnete Spur, Matthias Pintscher begins with a similar point of departure as in l'Espace dernier where he studies the acoustic perspective by concentrating, this time, on a particular formation and dimension. He places the autonomy of the concept in the center of his reflections. This concept is found throughout the gestures. The presence of a sign is only valid during the short moment in which it communicates with us, it is described, invoked, and dissolved again, as if it followed its own traces: Verzeichnete Spur.

Roland Barthes: "The sign is a fracture that never opens but on the face of another sign.”

MATTHIAS PINTSCHER VERZEICHNETE SPUR *
for bass, three cellos, ensemble, and electronics in real-time
CLAUDE DEBUSSY SONATA FOR FLUTE, VIOLA AND HARP
MATTHIAS PINTSCHER NUR world premiere  
for piano and ensemble 
commissioned by the Daniel Barenboim Foundation, with Paul Sekhri and the Sekhri Family Foundation

 

Matthias Pintscher conductor 
Daniel Barenboim piano 
Ensemble Boulez
Benoit Meudic * Computer Music Design 

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  • Matthias Pintcher  © Franck Ferville
    Matthias Pintcher © Franck Ferville
  • Daniel Barenboim  © Peter Adamik
    Daniel Barenboim © Peter Adamik
  • Pierre Boulez Saal  © Volker Kreidler
    Pierre Boulez Saal © Volker Kreidler
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