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    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
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  • TACT – Installation prototype / participatory creation








November 24 through Mon 29 November 2021,
11 a.m.- 10 p.m.
Centre Pompidou
Niveau 6
Prices

Free Entry

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Creation
Installation






TACT – Installation prototype / participatory creation

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Come and test the prototype of IRCAM's next installation, TACT, and participate in its development before its premiere in June 2022 during the ManiFeste festival!
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TACT is a visual and sound work conceived by a collective of young artists who invite the public on a virtual journey through the Parisian landscape.

The prototype of the installation, designed as an interactive touchscreen device, is installed on the 6th floor of the Centre Pompidou. After the spectacular ascent above the roofs of Paris, visitors are invited to live a second experience of the surrounding panorama, offered by the device's digital architecture.

Through gestures that you can imagine, alone or as a group, on the screen, you will trigger visual and sound metamorphosis and improvise using an open score.

The project's artistic team will be present to guide your experience and collect your impressions, ideas, and criticisms. This interactive creative process is a major part of the TACT process, as your feedback will allow us to improve the proposed artistic experience.

TACT - Centre Pompidou
Touch / Audition / Compose / Transmit

Interactive graphical-narrative system
Commissionned by IRCAM – Centre Pompidou

Design Zoé Aegerter
Sound design and creation Romain Barthélémy
Development Pascal Vaccaro
Computer music designer Frédéric Voisin
Photos Quentin Chevrier 

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  • https://www.centrepompidou.fr/fr/
IRCAM - Centre Pompidou Coproduction. With the support of the Ulysses network, subsidized by the European Union's Creative Europe program.
  • TACT  © Zoé Aegerter
    TACT © Zoé Aegerter
  • TACT  © Zoé Aegerter
    TACT © Zoé Aegerter
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