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    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Generative AI
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

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  • Studio 5, Live: Sound Spatialization








Sat 13 January 2018,
3 p.m.- 6 p.m.
Ircam
Place Igor-Stravinsky

IRCAM,
Studios 1, 2, 4 & 5

Free

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Transmission
Encounter






Studio 5, Live: Sound Spatialization

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The IRCAM studios open their doors for a second “Studio 5, Live” event this time entirely dedicated to sound spatialization. Discover the latest technologies available and dive into a prototype factory.

An important issue in musical creation, sound spatialization has progressively become an essential element in performance arts, film production, virtual reality, and multimedia diffusion. Creating a sound space or sound immersion, the simulation of real or imaginary acoustic spaces all rely on 3D technologies that must coincide with the broad range of formats used for sound diffusion.

We invite you to meet acoustic researchers, composers, computer music designers, and sound engineers in a series of conferences, presentations on new software for spatialization, and 3D listening workshops under the Place Igor Stravinsky.

Live, designed for the general public: artistic creation, the technological arsenal, and scientific subjects.

Participants

Thibaut Carpentier, engineer CNRS-STMS
Clément Cornuau
, sound engineer
Éric Daubresse
, computer-music designer
Hervé Dejardin
 (Radio France), sound engineer
Lidwine Hô 
(France Télévisions), sound engineer
Augustin Muller
, computer-music designer
Markus Noisternig
, researcher IRCAM-STMS
Marco Stroppa
, composer
Marine Taffou
, researcher IRBA
Pedro Garcia Velasquez
, composer
Frédérick Rousseau, head of Industrial Relations, IRCAM
Gaël Martinet, founder of Flux::
Olivier Warusfel, researcher IRCAM-STMS

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  • Ircam  © DR
    Ircam © DR
  • Studio 5 à l'Ircam  © Philippe Barbosa
    Studio 5 à l'Ircam © Philippe Barbosa
  • Studio 5 à l'Ircam  © DR
    Studio 5 à l'Ircam © DR

Practical Information

Due to current works underway at IRCAM, we are not able to accommodate persons with reduced mobility.


Upcoming “Studio 5, en direct” events:

Saturday, March 10, 2018 on Connected Objects and Motion Capture, April 7, 2018 on ManiFeste-2018.

Program

Conferences
Studio 5

3pm

Spatialization in Musicla Creation
with Éric Daubresse, computer-music designer and Marco Stroppa, composer

4pm

New Formats for 3D Sound Diffusion: Radio & Television
with Lidwine Hô (France Télévisions) and Hervé Dejardin (Radio France), sound engineers and
Olivier Warusfel, researcher IRCAM-STMS

5pm

research for the Work   Disenchanted Island  d'Olga Neuwirth
with Markus Noisternig, researcher IRCAM-STMS, Thibaut Carpentier, engineer CNRS-STMS, et Clément Cornuau, sound enigneer

Workshops
Studio 1

3pm

Acoustic Theater: 3D Sound Prints
with Augustin Muller, computer-music designer andPedro Garcia Velasquez, composer

4pm

Research for the WorkDisenchanted Island d'Olga Neuwirth
with Markus Noisternig, researcher IRCAM-STMS, Thibaut Carpentier, engineer CNRS-STMS, and Clément Cornuau, sound engineer

5pm

The New Software Program Spat Revolution
with Frédérick Rousseau, head of Industrial Relations, IRCAM and Gaël Martinet, founder of Flux::

Workshops
Studio 2

3pm

Spatialization and Object Formats (ADMix Tools)
Clément Cornuau
, sound engineer and Olivier Warusfel, researcher IRCAM-STMS

4pmAtelier d'écoute: works Marco Stroppa and Emmanuel Nunes
with Marco Stroppa, composer, and Éric Daubresse, computer-music designer

5pm

3D Diffusion and  Object Format for Radio
with Hervé Dejardin (Radio France), sound engineer, and Olivier Warusfel, researcher IRCAM-STMS

Workshops
Studio 4

3pm

Acoustic Simulation
with Markus Noisternig, researcher IRCAM-STMS

4pm

Virtual Reality and Spatial Cognition
with Marine Taffou, researcher IRBA

5pm

 360° Audio-Video Production
with Lidwine Hô, 3D audio developer at France Télévisions

Ircam

1, place Igor-Stravinsky
75004 Paris
T. +33 1 44 78 48 43
Opening times

Monday through Friday 9:30am-7pm Closed Saturday and Sunday
Subway access

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