• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Tablado
    • Musical creation around Outer Space
    • Campo Abierto
    • Musical creation around Dream Work
    • Biotope
    • EROR
    • IDEA
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2021.22
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • Replay: ManiFeste-2022 Concerts
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
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  • Studio 5, Live: Sound Spatialization








Sat 13 January 2018,
3 p.m.- 6 p.m.
Ircam
Place Igor-Stravinsky
Prices

0

IRCAM,
Studios 1, 2, 4 & 5

Free

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Transmission
Encounter






Studio 5, Live: Sound Spatialization

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The IRCAM studios open their doors for a second “Studio 5, Live” event this time entirely dedicated to sound spatialization. Discover the latest technologies available and dive into a prototype factory.

An important issue in musical creation, sound spatialization has progressively become an essential element in performance arts, film production, virtual reality, and multimedia diffusion. Creating a sound space or sound immersion, the simulation of real or imaginary acoustic spaces all rely on 3D technologies that must coincide with the broad range of formats used for sound diffusion.

We invite you to meet acoustic researchers, composers, computer music designers, and sound engineers in a series of conferences, presentations on new software for spatialization, and 3D listening workshops under the Place Igor Stravinsky.

Live, designed for the general public: artistic creation, the technological arsenal, and scientific subjects.

Participants

Thibaut Carpentier, engineer CNRS-STMS
Clément Cornuau
, sound engineer
Éric Daubresse
, computer-music designer
Hervé Dejardin
 (Radio France), sound engineer
Lidwine Hô 
(France Télévisions), sound engineer
Augustin Muller
, computer-music designer
Markus Noisternig
, researcher IRCAM-STMS
Marco Stroppa
, composer
Marine Taffou
, researcher IRBA
Pedro Garcia Velasquez
, composer
Frédérick Rousseau, head of Industrial Relations, IRCAM
Gaël Martinet, founder of Flux::
Olivier Warusfel, researcher IRCAM-STMS

Edit
  • Ircam  © DR
    Ircam © DR
  • Studio 5 à l'Ircam  © Philippe Barbosa
    Studio 5 à l'Ircam © Philippe Barbosa
  • Studio 5 à l'Ircam  © DR
    Studio 5 à l'Ircam © DR

Practical Information

Due to current works underway at IRCAM, we are not able to accommodate persons with reduced mobility.


Upcoming “Studio 5, en direct” events:

Saturday, March 10, 2018 on Connected Objects and Motion Capture, April 7, 2018 on ManiFeste-2018.

Program

Conferences
Studio 5

3pm

Spatialization in Musicla Creation
with Éric Daubresse, computer-music designer and Marco Stroppa, composer

4pm

New Formats for 3D Sound Diffusion: Radio & Television
with Lidwine Hô (France Télévisions) and Hervé Dejardin (Radio France), sound engineers and
Olivier Warusfel, researcher IRCAM-STMS

5pm

research for the Work   Disenchanted Island  d'Olga Neuwirth
with Markus Noisternig, researcher IRCAM-STMS, Thibaut Carpentier, engineer CNRS-STMS, et Clément Cornuau, sound enigneer

Workshops
Studio 1

3pm

Acoustic Theater: 3D Sound Prints
with Augustin Muller, computer-music designer andPedro Garcia Velasquez, composer

4pm

Research for the WorkDisenchanted Island d'Olga Neuwirth
with Markus Noisternig, researcher IRCAM-STMS, Thibaut Carpentier, engineer CNRS-STMS, and Clément Cornuau, sound engineer

5pm

The New Software Program Spat Revolution
with Frédérick Rousseau, head of Industrial Relations, IRCAM and Gaël Martinet, founder of Flux::

Workshops
Studio 2

3pm

Spatialization and Object Formats (ADMix Tools)
Clément Cornuau
, sound engineer and Olivier Warusfel, researcher IRCAM-STMS

4pmAtelier d'écoute: works Marco Stroppa and Emmanuel Nunes
with Marco Stroppa, composer, and Éric Daubresse, computer-music designer

5pm

3D Diffusion and  Object Format for Radio
with Hervé Dejardin (Radio France), sound engineer, and Olivier Warusfel, researcher IRCAM-STMS

Workshops
Studio 4

3pm

Acoustic Simulation
with Markus Noisternig, researcher IRCAM-STMS

4pm

Virtual Reality and Spatial Cognition
with Marine Taffou, researcher IRBA

5pm

 360° Audio-Video Production
with Lidwine Hô, 3D audio developer at France Télévisions

Ircam

1, place Igor-Stravinsky
75004 Paris
T. +33 1 44 78 48 43
Opening times

Monday through Friday 9:30am-7pm Closed Saturday and Sunday
Subway access

Hôtel de Ville, Rambuteau, Châtelet, Les Halles
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