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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Lullaby experience








Sat 2 February 2019,
and
Sun 3 February 2019,
3 p.m.- 9 p.m.
Frankfurter Positionen
Edit
Creation
Concert






Lullaby experience

Edit






Lullaby Experience is a participatory project imagined by the composer Pascal Dusapin, open to all, children and adults, everywhere. Each of us has, deep inside, a melody that marked our childhood. Often, this nursery rhyme is deformed with time and memory. It is this memory, buried deep within us, that the composer has asked us to sing, to hum, online via the application Lullaby Experience. The recordings collected will provide the sound material used for a musical creation. Transformed and assembled with IRCAM technologies, the melodies create a singing map of the world. In Paris, just like in the other cities where the work will be presented, the songs sketch the sonic portrait of the city’s inhabitants. The collection of songs will reflect the demographics and multicultural reality of the town, or towns, where Lullaby Experience will be presented. In Frankfort, Lullaby Experience won’t sound like it will in Paris or Venice or Tokyo.

LULLABY EXPERIENCE PASCAL DUSAPIN premiere 2019

Pascal Dusapin, conception and musical creation
Ensemble Modern

Claus Guth, director
Etienne Pluss, stage design
Olaf Winter, light
Roland Horvath vidéo
Yvonne Gebauer dramaturgy
Dorothee Joisten costumes
Axel Weidauer assistant director
Clémence de Vergnette assistant set designer
Gal Fefferman choreography collaboration
Thierry Coduys, IRCAM electroacoustic system production and mixing
Jérôme Nika, IRCAM computer music collaboration (IRCAM-STMS musical representations team) 

Edit
A production of Ensemble Modern, IRCAM, and Mousonturm for the Frankfurter Positionen. IRCAM, as part of the DYCI2 project is supported by the French National Research Agency (ANR).
  • Application Lullaby experience
    Application Lullaby experience
  • Lullaby Experience  © Quentin Chevrier
    Lullaby Experience © Quentin Chevrier
  • Lullaby Experience  © Quentin Chevrier
    Lullaby Experience © Quentin Chevrier
  • Lullaby Experience  © Quentin Chevrier
    Lullaby Experience © Quentin Chevrier
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