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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Tablado
    • Musical creation around Outer Space
    • Campo Abierto
    • Musical creation around Dream Work
    • Biotope
    • EROR
    • IDEA
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2021.22
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • Replay: ManiFeste-2022 Concerts
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
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  • Le monde d’Éliane Radigue: Kyema / ManiFeste-2020








Sun 13 September 2020,
5 p.m., and
7 p.m.
Centre Pompidou
Grande salle
Downloads

programme_le_monde_deliane_radigue.pdf

Prices

Full : 18 €
Discount Price : 14 €
ManiFeste & Young Cards : 10 €

Full
This ticket provides access to the acoustic concert  

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Creation
Concert






Le monde d’Éliane Radigue: Kyema / ManiFeste-2020

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Electro-acoustic Concert
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Éliane Radigue meets spatialization made in IRCAM in the performance of Kyema. Inspired by the Tibetan Book of the Dead, the first piece of Trilogie de la Mort evokes the six intermediate states that constitute an existential continuity of being (birth, dream consciousness, meditation consciousness, death, white light, crossing and return). This adventure in the infinitesimal meanders of listening inaugurates the dome of speakers covering the large stage at the Centre Pompidou.

Electro-acoustic Concert
Sound diffusion François Bonnet

Edit
Une programmation conçue avec le Musée national d’art moderne-Centre Pompidou. En partenariat avec la Fondation Evens. Coproduction IRCAM/Les Spectacles vivants-Centre Pompidou. With the support of the Sacem.
  • Eliane Radigue et François Bonnet  © Eleonore Huisse
    Eliane Radigue et François Bonnet © Eleonore Huisse

Kyema

by Eliane Radigue

  1. Kyema by Eliane RadigueKyema by Eliane Radigue

In relation to

Creation
Concert

Le monde d’Éliane Radigue: OCCAM OCEAN / ManiFeste-2020

Sunday 13 September 2020
Centre Pompidou - Niveau 5
with Carol Robinson, Hélène Breschand and Louis-Michel Marion
Creation
Concert

Le monde d’Éliane Radigue: Les Îles résonnantes / ManiFeste-2020

Sunday 13 September 2020
Centre Pompidou - Cinéma 1
screening and encounter with Éliane Radigue
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